By Rob Atkins
Pete Turner died in his sleep yesterday morning at his home in Wainscott, New York. Pete was many things to many people: mentor, teacher, icon, true innovator of color photography. He was all of these things to me, and more, but one role loomed far greater than the others. Pete was my friend. That will endure forever.
The most profound lesson I learned from Pete was this: Color can be used to convey an emotion. Take his image “Road Song” as an example. It’s still a successful image when reproduced in black and white, with its graphic composition and dramatic perspective. Though Pete began shooting while the sun was still up and the fence was lit with the last of the day’s sunlight, he waited until the “blue hour” to make his select image. It’s the blue cast that imbues the image with its moody and somewhat melancholy feel. It’s the use of color that creates the emotional impact.
Pete’s work set me on a life course, that of being a photographer. It’s given me the best life I could possibly imagine. How could a debt like that be repaid?
—Rob Atkins
©2017 by Rob Atkins, all rights reserved
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Featured Comments from:
Jeff: "Interview with Pete Turner, including his comments regarding the 'Road Song' photograph...."
Michael Perini: "One of my true heroes and a very nice man. My second home is not far from his, and we met a couple of times at Reed Photo in Amagansett.(no longer there). We also met in New York at a print signing where I got to tell him that seeing his work in Nikon World in the early 1960s was the thing that pushed me into photography. A kind, generous and immensely talented man. He will be missed."
Dogman: "Back in the early 1970s, Nikon used several pro photographers' photos for their ads. Pete Turner's work was the standout to me. It even persuaded me buy a few Nikon cameras. But I never was able to match those colors from the Turner Nikon ads. I learned later he achieved most of his over-the-top colors by copying his slides in a Honeywell Repronar slide copier and using color compensating filtration. He was one of my early photographer heroes and I still admire his work tremendously."
Peter Turnley: "When I was 16 years old, I called the press office of the Indianapolis 500 racetrack and asked for my first press credential ever, to be able to photograph in the pit area of the Indy 500 track. When I told the gentleman on the phone that my name was Peter Turnley, he replied, 'you're Pete Turner.' Given that I had stated my name clearly, I think I decided not to rectify the confusion. When I showed up to pick up the credential, and the gentleman saw me, my recollection is that he handed it to me with a wink.
"At that age, I believe I did already know who Pete Turner was and had been impressed certainly by his use of color and fame. As a life-long twin I've dealt with a lot of confusion with my name, but all my life since that telephone conversation the name Pete Turner has always conjured up for me that first call for a press credential. And, God knows, if it could have helped me get a press credential, it wouldn't have been past me to use the opportunity. I've always been grateful to Pete for that, and never had the chance to tell him that story. Rest in peace."