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Friday, 05 April 2024

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Growing up in NYC, we went to the Met for Opera and MOMA for art. Referring to the MOMA as the Met is disconcerting. And Mike I have a question. We are about the same age. I think I have purchased my last camera (Z9). The latest bodies are so competent that the marginal improvements are not worth the money. I wonder how many of your readers think the same.

Michael Moffa

Two Félix Nadar books are on my shortlist. His autobiography When I was a Photographer. And a biography by Adam Begley. The Great Nadar: The Man Behind the Camera.

I have looked for a posting by you for, what now - twenty years, everyday, and if it is green I follow the link. Often they don’t even need to be green. So there is one people. I have been educated.

I for one like the references. You are unique in the blogosphere for your knowledge of the history of photography.

I'm not sure what to read about it, but anyone interested in the early history of photography should, if in the south of England, try to fit in a visit to Lacock Abbey, home of William Henry Fox Talbot, inventor of the calotype.

https://www.nationaltrust.org.uk/visit/wiltshire/lacock

Michael Moffa said above "Growing up in NYC, we went to the Met for Opera and MOMA for art. Referring to the MOMA as the Met is disconcerting" Now I am really disconcerted. I grew up 17,000 kilometres from NYC, but I had thought that 'the Met' referred to the Metropolitan Museum of Art on Central Park and that MoMA is the glorious Museum of Modern Art, an entirely separate institution?

Capturing the Light: The Birth of Photography, a True Story of Genius and Rivalry by Roger Watson and Helen Rappaport

Don’t know from where that 185 years is calculated but I think it is well established by now that Nicephore Niepce took the first photograph, then Louis Daguerre joined forces with him and developed the idea further to a more practical and detailed process while around the same time Fox Talbot in England developed his own process based on a negative that can be reprinted several times, thus forming the foundation of still enduring film based photography.

The book about photography’s origins that will make you doubt the very idea of origins is Geoff Batchen’s classic Burning with Desire (The MIT Press, 1999). It’s fairly dense, but it shows how different practices and aims dovetailed into one another to create what looks from afar like a single birthday. It also helps to understand the conflicting claims to the genealogy by French, British, and other parties.

The Daniel article seems to short change Niepce who is usually credited as the inventor of photographer.

As much as I welcome and appreciate all the photo based links, I must admit, given the choice between them and videos of people falling down icy steps, rainy steps, even unaltered steps- there is nothing more life affirming than those gravity induced videos! Mind you, I sincerely do not want anyone to actually get hurt. I've asked myself many times why these particular videos hold such appeal, why they make me laugh so. I honestly don't know, and yes, I do feel (somewhat) guilty about it. There's just something so (pardon the pun) leveling about that particular situation. It happens to everyone regardless of social status, we're completely out of control, it's guaranteed embarrassing, it's life getting back at you in the most trivial of ways- but why is it so damn funny?! And it gets me every time (well, almost). I've stopped trying to analyze it, stopped feeling guilty about it, and just lay back anticipating the sheer joy of... wait for it, hear... it...comes!

So... how would it feel if it happened to me? Well, it has- the most memorable on a snow ladened street in SOHO when I tripped backwards so completely, I actually saw the tips of my boots parallel with the horizon before having the wind knocked outta me when I hit the sidewalk. A car actually stopped and opened their doors just to point and laugh at me- I was mad, humiliated, vengeful- and when they drove off... I just lied on by back and laughed- if only there was a video!

Now, on to the links...

I started to read "The Work of Art in the Age of Mechanical Reproduction" (1935), by Walter Benjamin. Let's see how that works out, but I feel it might be interesting and important.

[ If you come across a passage about a bear print and a plaster cast of a bear print, please let me know, would you? I'm convinced I read that and am convinced it was Walter Benjamin, but I've been looking for that for decades and have never found it again. --Mike]

I have had the privilege of reading your posts for nigh on two decades.I frequently follow those links and am enlightened by them.

Warmly,

Stew

[That's great to hear Stew and thank you! --Mike]

I'll agree that "Capturing the Light" is an excellent book (and a fascinating pair of subjects).
Not quite at the beginnings of photography, but equally excellent, is Rebecca Solnit's "River of Shadows", about Edweard Muybridge and his stop-motion photography (among other things).

I greatly appreciate the nutritional balance on TOP. Thank you!

"The Woman's Eye" sounds like a great book. There's a scan available on Open Library but it would be nice to see a reprint. https://openlibrary.org/books/OL5415475M/The_woman%27s_eye.

The long-running BBC Radio series "In Our Time" has an episode from 2016 concentrating on the Invention of Photography. I like the format of this kind of thing where you can list to 3 talking heads discussing some topic or other. It is not intended to be a comprehensive survey and concentrates on the early days, but the socio-political observations are interesting.

https://www.bbc.co.uk/programmes/b07j699g

I'd also add a callout (again!) to Steve Edward's A Very Short Introduction to Photography which is a slightly different addition to the bookshelf compared with big glossy books, but a good informative read
nonetheless

https://www.amazon.co.uk/Photography-Very-Short-Introduction-Introductions/dp/0192801643

“Burning with Desire” by Geoffrey Batchen is an excellent, seminal book on this subject (at least until the end where it gets a bit post-modernist for my taste with some Foucauldian jiu-jitsu), debating the true date of photography’s birth, as well as what we mean by photography and perhaps even birth.

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