The Online Photographer

Playin' Hooky (Blog Note)

TOP is on hiatus this week.

If you're looking for something to keep you occupied till our slacker Editor gets back, check out the completely and almost unprecedentedly awesome New York Times "2020 in Photos: A Year Like No Other."

This is no rote "as-usual" end-of-year feature, no casual feel-good eye-candy. It contains a much larger number of photographs than usual, arranged by month, with excellent captions, often calling out and describing the work of specific photographers for their accomplishment and risk-taking. This is a photojournalistic and editorial accomplishment in and of itself, on its own.

I've been there three times already and I'm only up to May.

This one will reward your attention. Highly recommended.

The view from the red chair, just now

See you soon!

—Slacker Editor, enjoying his break

P.S. See the update in the pool table post...

Book of interest this week:

The Secret Lives of Color by Kassia St Clair
(clicking on the links above takes you to Amazon)

From The Book Depository (free shipping worldwide)

Merry Christmas and Happy Holidays

Viggo Johansen, Joyful Christmas, 1891

Many of us will be more isolated than usual this year, and some who aren't might be taking greater risks than they would like. For me it will be a quiet Christmas spent alone, wishing I could be with family and friends. I hope to have a peaceful and contemplative day that includes prayer and meditation. I have a nice meal planned.

I sympathize with others who are alone but hey, it's not the worst thing in the world. This too shall pass. We can get through it.

This year has been a trying and tragic one. Still, we just passed the Winter Solstice, and from now on the light lasts longer. My prayer is that 2021 will be a brighter year, for my country and its people and for all people around the world. We all hope we will make headway against this capricious and erratic virus and that it will begin to die out. In the meantime, we each do our part.

I thought Viggo Johansen's picture might remind us that Christmas can be a celebration of light in the darkness of Winter. Fight back! Stand in the light, whether actual or metaphorical.

A Christmas Carol, which I'm re-reading now, is at root the story of a spiritual awakening. Groundhog Day, which I'll re-watch on my break, suggests that accommodating to the knottiness of existence is a repetitive task. Both are light entertainments, but their positivity is a little more than empty treacle and cheer. I think I'll also try to find a bluegrass Christmas album, on account of you can't be in a bad mood while listening to bluegrass.

I'll be taking a week off. I'm not planning to do anything. I'm just going to rest and take it easy for a few days, and get lots of sleep.

Meanwhile, I wish you a Merry Christmas and good health. May you walk through these days with a light heart and an easy step.

Back real soon,

—Mike, Head Writer and kitchen help of T.O.P.

Quote o' the Day: John Schmidt (OT)(Update)

"People ask me if I have groupies. Oh, I've got 'em. They're all sixty-year-old men with chili stains on their shirts, but I've got 'em."

—Pool player John Schmidt, the Roger Maris of pool, who in 2019 broke Willie Mosconi's longstanding record from 1954 for the highest run of all time in straight pool

Thought that was funny. That's pool for you.

Speaking of pool, the carpet/rug is in:

It's a remnant of commercial carpet but it has variegated greens and browns and is quite handsome. And according to Billy the carpet guy "wears like iron."

And this doesn't look like much, but we (the seller and I) successfully dismantled half the pool table yesterday and got it moved here!

To me it's a sight for sore eyes.

What a Christmas!

Mike

UPDATE the day after Christmas:

The rest of the table successfully moved! All thanks to clan Gordon, from whom I was lucky enough to buy this.

That's the frame leaning up against the wall, and the lined slates stacked behind Butters. Now I wait for the mechanic to arrive to set it all up.

P.S. If you're not a pool fan but you're feeling deprived of sports and would like to watch something new over the holidays, here's a choice pool match, newly uploaded. It's a fun one. Between Ko Pin-Yi of Taiwan (ROC) and Jayson Shaw of Scotland. Avoid reading any comments before you watch it.

...And by the way, my pool teacher is sitting behind the McDermott sign in this video—the older gentleman with the jacket and bright pool-themed tie.

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

Book of interest this week:

The Secret Lives of Color by Kassia St Clair
(clicking on the links above takes you to Amazon)

From The Book Depository (free shipping worldwide)

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

Malcolm Leader: "Since I live fairly remotely and my wife has no interest in pool, I practice a lot by myself. I put in a nice sound system and I find playing and listening make for a very relaxing experience. Talk to the installer about things like re-leveling. It really isn't that hard and you really only need to do it about a month after setting that table on the carpet and then about once a year. If you notice straight shots going awry, time to re-level. I keep a pristine four-foot level nearby. Have fun!"

Mike replies: It's the same for me. I suspect it's like what some people do when they "vegg out" in front of the TV or get lost in video games—"contented distraction," we might call it. It's a way to turn my mind off and relax.

And the experience is just as good when it's shared—when I play with friends.

A Picture With Promise

This is a spread from the book Elements that I'm attracted to. I've never seen the book. The picture looks like it might have a certain magic. It has the promise of it anyway—I can't really see because the JPEG is too small (I can't find a larger one). The village up high on the cliff (I think it's a village—can't really quite see), the seabirds wheeling in the air below—. The feeling of depth created by the outcropping on the lower right and the massif in the background. The strong central slash of the white waterfall. Of course who knows how the reproduction quality is, or whether the picture holds up when you can really see it.

This might sounds weird, but although I am not a photography collector, I do tend to collect images...and I have since I was a very small boy. I have lots of favorite images in books and there are even a few cases where I bought a specific book to get a really nice reproduction of a certain photograph. I used to sometimes "visit" favorite images by pulling out a succession of books from the bookcase and turning to the pictures I wanted to see. There are always treats in a good book.

I guess you could say TOP is a sort of photograph collecting mechanism. I love to trawl through old TOP images. I seem to sort of naturally collect images, without giving it much thought on a "meta" level; I just like to go back and look at things again. That might be why I take pictures at all, actually—to be able to study, at leisure and at length, a scene I enjoy seeing. To see what a longer look might reveal. To contemplate. Video doesn't scratch the itch for me very well, although I've watched many movies more than once. I'm very devoted to still pictures.

Mike

UPDATE: Well, I certainly know more about the picture now, thanks to Dori and several other readers. The picture features Múlafossur Waterfall, said to be the top tourist attraction in the Faroe Islands. The Faroes, a part of the Kingdom of Denmark, are situated in the Atlantic Ocean between Norway and Iceland. The tiny village is Gásadalur on the Western island of Vágar.

The picture was taken by Fran Mart, a wedding photographer from Spain who lives and works in Scotland. I reached out to Fran to see if he'd like to say anything about his picture for us but haven't heard back yet. The picture is on Instagram and it's available as a stock image from Adobe Stock.

A travel website I alighted upon referred to the waterfall as a "photographic destination." Jan-Peter commented that the locals are getting a little exasperated with all the photographers.

As for the locale, there are certainly a lot of pictures of it on the Internet, although many are from a somewhat different viewpoint than Fran's. Tony McLean sent me his picture of it taken with a Leica M240 and 21mm Super Elmar:

And there's a video showing several moods of the wind and the waves here.

Thanks to all!

UPDATE #2: After it occurred to me that I would not like to live in Gasadalur for one peculiar reason in particular, on Christmas morning I Googled "do people ever fall off cliffs in the Faroe islands?" and was led serendipitously to this nice post by Justine Kibler, a photographer and traveler from the UK, of the Lost in the Midlands blog. Reading it was like taking a virtual hike in the Faroes! With a little peril along the way.

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

Book of interest this week:

Elements: In Pursuit of the Wild, Rucksack magazine
(clicking on the links above takes you to Amazon)

Elements from The Book Depository (free shipping worldwide)

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

David Mackenzie: "To the comment on the local citizens getting tired of all the photographers...they have learned well from the ongoing visitor-caused disaster in Iceland. Now in the Faroes they are requiring photographers to buy permits and hire guides. That will certainly help keep the hordes down a bit."

kwesi Budu-Arthur: "A beautiful image that perhaps achieves too much. For me, the inclusion of the three perfectly placed birds is what turns this fine work of art into a stock photo. Sometimes leaving a little something to the imagination can be a very good thing."

Blog Note: Books of Interest

About the book link at the bottom of the post: I thought in 2021 I would resurrect my onetime practice of putting a link to a relevant, recommended, or intriguing book at the end of every post—perhaps one mentioned in a recent post, perhaps not; perhaps one I've seen, perhaps one I've only heard of. If the feature provides a convenient jump to Amazon for TOP readers, so much the better.

Because not everyone can see the image links on my site, I'll include both an image and a text link, plus a link the to book at The Book Depository, which offers free international shipping worldwide. I'll keep each link up for about a week.

Give this a few weeks then I'll ask you what you think of it.

I'll venture a guess Elements, due soon on January 5th, might sell out quickly. Voyeuristic voyaging to the corners of the earth for those stuck isolating.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

Book of interest this week:

Elements: In Pursuit of the Wild, Rucksack magazine
(clicking on the links above takes you to Amazon)

Elements from The Book Depository (free shipping worldwide)

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

No featured comments yet: please check back soon!

Random Excellence: David Dyer-Bennet

David Dyer-Bennet, from the Words Over Windows project

David Dyer-Bennet, whose friends call him DD-B, has been a TOP reader for a long time and a photographer for a much longer time. After George Floyd was killed in DD-B's neighborhood in Minneapolis, he became fascinated with the art that bloomed on the plywood covering broken windows, and began to document it. He calls the project Words Over Windows.

"I’ve lived in South Minneapolis for nearly all of the last 40 years," he writes. "The killing happened a mile from my house, at an intersection I pass through many times a week. The Cub and Target over by 3rd Precinct are where most of my shopping happened, and is a mile north of a previous place I lived. 5th Precinct and the Post Office and Wells Fargo that got burned are a mile north of me. I lived just around the corner from where Uncle Hugo’s Science Fiction Bookstore was burned (and have known the owner since the 1970s). This is all familiar territory, right where I live."

He created a book that's being sold in local stores. The project in its current state can be viewed at the website he created for it.

David had a print sale on TOP in 2014. Mine hangs in my living room behind my front door.

Mike

Reply from DD-B: "Wow! Surprised, and of course very pleased, to see this. This project ate much of my summer, from starting shooting in early June to getting the site up in August, plus considerable time since working on prints (I'm traveling, but I got acceptable proofs of some panorama prints the week before I left, and need to get those on the site). Had no idea of what I was going to do with the photos when I started shooting, either. (And stats show that some people have indeed clicked on the link to the site. The rest of you should stop by and look at the photos also.)"

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

BOOK of the WEEK
as discussed in this post from last week:

How Not to Diet by Michael Greger
(Links go to Amazon)

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

John Camp: "Uncle Hugo's science fiction bookstore was right next to Uncle Edgar's mystery bookstore (as in Edgar Allan Poe), both stores part of the same operation. I've signed books at Uncle Edgar's and didn't realize it had been burned. That's very sad. I can't think of a less offensive place in that neighborhood or any other...just booky people going in to find a good read."

Joe Holmes: "What a great collection! Starting at the beginning of June, I've been documenting the Black Lives Matter street art in New York City's Soho and Lower East side, resulting in this collection. Because the art was constantly being removed or tagged or painted over, I felt as if I were on a mission to preserve the work before it was gone."

Mike replies: That's some great documentary work Joe.

Pool Table for Sale (OT)

Ohio USA: I have a pool table for sale in Ohio. It's a Golden West "Vintage" model in 8 foot pro size, in very clean condition. The distinctive feature of the table is its stunning woodwork, in oak with medium stain.

This model, the Vintage, is currently available new from Golden West for $6,250. I'm asking $1,925, which is less than I have into it. (This is just the TOP price. I will put it on eBay and Facebook Marketplace tomorrow for more. Figured I'd offer it here first, just on the off chance someone here might want it. These are gorgeous.)

Golden West is the most resolutely American of the made-in-America manufacturers, not accepting any components or materials from outside the U.S. (They feel it would be a slippery slope.)

I'm forced to turn around and re-sell this because I can't figure out a way to get it here from Ohio in the time of COVID! The arrangements I made fell through. I've thought of all kinds of schemes but nothing is affordable. Meanwhile, I found another table (completely different kind) only 2 1/2 miles down the road from me. That one will be easier to fetch!

This one will be easy for its purchaser, too. It's currently in temperature-controlled storage with a professional pool table mechanic in Columbus. All you would have to do is arrange with him to deliver and set up the table for you at your convenience. His territory is all of Ohio but he can deliver it anywhere. He can also give you detailed information about condition, because he took it apart.

These are the PREVIOUS SELLER's pictures, not mine! But they are of the actual pool table for sale.

I believe the rails are hickory, because hickory is harder than oak, which is a beautiful touch. This model was popular in the '80s with Lakers basketball stars and film people in L.A.

If you are interested, please contact me at mcjohnston.com for information. If you think you know someone else in Ohio who might be interested, please pass the news along! Thanks.

Merry Christmas and Happy Holidays,

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

BOOK of the WEEK
as discussed in this post from last week:

How Not to Diet by Michael Greger
(Links go to Amazon)

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

Malcolm Leader: "A friend of mine has that table. It is awesome and at that price plus ~$1,000 delivery is a steal. You can set up yourself—it is not hard. Many videos. I use (thin) cardboard for the foot shim material. Borrow a machinist level but frankly, a cheap hardware-store level (get 4') is more than adequate. You'll fine tune by bouncing balls down table and observing the straightness of their path. Time consuming, maybe. Worth it? Yes!"

Which Sony Will It Be?

Since I learned you can get a Sony camera converted to B&W only, I've been looking at Sony cameras.

I already own a conversion candidate...but that doesn't stop me from looking.  :-) 

Speaking of which, there's a sale on Sonys at B&H Photo right now—the stellar deal appears to be an A7 Mark II with a 28–70mm lens and some accessories for less than a grand; or you can choose the more recent A7 Mark III with the same lens. The same split is replicated with the high-res models, where the cheaper A7R Mark III is mirrored by the up-to-date A7R Mark IV (both with no lens but with a card, bag, and extra battery).

But the real dilemma—and a hard choice—seems to be between the top APS-C model, the A6600 (not included in the current sale), and the "standard" full-frame model, the A7 Mark III. The former is more compact and has a "rangefinder style" layout; the latter, which is really still quite compact by today's standards, has the more conventional faux-SLR type of body design.

Deciding between the two would be a hard choice to make I think, whether you're buying yourself or recommending a camera to others.

The Sony A6600 has a larger grip that houses
a bigger battery

For purchase and as a recommendation, I'd personally tend to lean toward the A6600, although I can see how others might do the opposite. I like the ex-NEX line of Sony products, and while I've never owned the A6000 or later cameras, I tested an A6500 at the end of 2017 and liked it. (Of course I have fond memories of my NEX-6 which is now a fossil in digital camera lifetimes.)

I'm resigned to the fact that I'm going to be shooting stills with video cameras for the rest of my life—y'know, you adapt, even if you don't really like it—but in the case of the A6600, all the videocentric improvements and refinements have actually had one effect that stills shooters also really appreciate: namely a bigger, beefier grip and a bigger, better battery. That was done for video shooting I'm sure, but I love a good solid grip and I head out with a single battery nine times out of ten, so there's no harm in having one that lasts longer.

The A6600 in general has been highly refined by this point, and numerous reviews mention the superior finish and apparent build quality of the A6600, and the fact that Sony has revamped the haptics of the buttons, improving their "clickiness," their sound and feel. That's another of those things that shouldn't matter but does to me.

As far as lenses go, it is again a hard choice. Do you prefer Sony's latest G-Master statements, or do you tend to prefer smaller, lighter lenses? Of course they're all the same lensmount and will fit on either the A6600 or A7 Mark III, but most people will tend to match the lens to the sensor. There again, my preference tilts to the A6600. My baseline complement of lenses (for me, not as a recommendation necessarily) is a 35mm angle-of-view equivalent prime and an 85mm-e prime, and I'd love to have one of those beautiful Zeiss 24mm's paired with Sigma's lovely little 56mm ƒ/1.4 DC DN. What a sweet lens that is. They both are.

One thing both cameras have is Sony's Eye-AF focusing, which leads the field and is really a wonder of modern technology. It's a "sufficiently advanced" technology that remains magic. If you shoot people (or want to when the plague years end), it's got to be something you'd want.

There are many great cameras vying to be our "objects of desire." Obviously the list is very different for each of us. The A6600 would rank high on my own list. When I look at it I like pretty much everything I see.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

BOOK of the WEEK
as discussed in this post from last week:

How Not to Diet by Michael Greger
(Links go to Amazon)

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

Andrew Young: "I had a Sony A7R Mark II converted to monochrome last year and really enjoy it. I greatly prefer it to color cameras for black and white images. It streamlines the workflow and looks great. I print using the Piezography monochrome inkjet system, so it is 100% B&W from start to finish. Great fun."

Arg: "Let’s face it: mirrorless cameras are only possible, with a pleasant EVF experience, if the sensor is a video device first and foremost. Even if the camera couldn’t record video, its sensor has to output high-quality, high-bitrate, low-latency video. Hooray for video-oriented sensors!"

Greg K.: "This past summer, I switched from Canon to Sony after nearly three decades of film and digital cameras from the former. I initially expected to buy an A6600 and the 200–600mm lens for bird photography, figuring the extra crop factor would often be very useful.

"Despite all the good technology inside of the A6600, after actually handling it in our local camera store, I strongly disliked the ergonomics of the smaller body. Trying to change settings in shooting position required uncomfortable contortions of my hand to reach the dials and I knew I would not enjoy using that camera body. I walked out of the store that day pretty disappointed because I knew my shopping was going to get a lot more expensive (I eventually bought an A7R Mark IV). The full frame Sony bodies fit my hand better than their APS-C bodies but even so, I still added the battery grip to my A7R Mark IV because my hand started to hurt after long days of shooting. Now, perhaps the balance is different if you are going to shoot with smaller lenses (as is more typical for many other types of photography). For me, the APS-C vs. full frame and newer vs. previous generation decisions were rapidly subjugated to handling considerations, which actually simplified my buying process."

Brief Addendum...

...To the previous post: I want to emphasize that my year-long diet experiment didn't require much "willpower." It's not a calorie- or portion-restricted diet. I eat all I want and then some. In fact sometimes I will look at the giant heap of food I've just fixed and think surely I can't eat all that. But then I do. So please don't think it required "willpower"—it really didn't.

As Arg wrote in his Featured Comment yesterday, "The weight kind of comes off by itself, with zero suffering."

The only self-discipline I actually needed was to shop and cook. I'm still lazy, and often I had to kick myself a little to procure or prepare food. It required self control, I guess, to stay away from sugar, which is my weakness. But I was never hungry.

In fact, it's even a little difficult at first to get out of that old dieting mindset where you naturally feel as if you should be limiting the amounts you eat. Don't. If you're eating healthy food, the more the better. It just leaves less room for meat, dairy, and junk. So fix lots and eat up.

What to eat? I like Dr. Michael Klaper's idea: "the Four S's: Soups, Salads, Smoothies, and Steamed vegetables."

Books and videos were helpful to me for inspiration. If my interest flagged, I'd just crack How Not to Die or Eating on the Wild Side and read a few pages. And I probably watched nutritionfacts.org videos over my morning meal  one day out of every three all year long.

Walking advertisements
One small convincer: Go to YouTube, search "plant based doctor," and when various people come up, look at their bodies. They're all trim or thin. Michael Klaper, Pam Popper, Neal Barnard, Joel Fuhrman, Gemma Newman, Anthony Lim, John McDougall, Kim A. Williams, and Caldwell Esselstyn just to name a few—the list is a long one. Shouldn't that tell you something?

Dr. Gemma Newman discussing keto
vs. plant-based in the linked video

Note that several of these people came to plant-based eating in the first place because of health problems. Kim Williams had sky-high cholesterol—and as a President of the American College of Cardiology he knew what that meant. Gemma Newman grew up as a "fat kid" and then even when she got very fit as a young adult her lipids were still poor, and she has a family history of relatives dying young from heart disease. People online sometimes gossip that John McDougall doesn't look very good for a man who's only in his early 70s, but he had a severe stroke at a shockingly young age, so he's had underlying health issues—who knows, were it not for his healthy diet he might not be alive at all. No one can say one way or the other. But one thing's for sure, he sure ain't obese.

And they tend to stay vigorous into older age:

Dr. Neal Barnard at age 65 with Stanley Cheung, whose diabetes was reversed with the help of Dr. Barnard's book

The advocates themselves are good advertisements for the lifestyle.

This is getting less than brief, so I'd better quiet down now! See you tomorrow.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

BOOK of the WEEK from yesterday’s post:

How Not to Diet by Michael Greger
(Links go to Amazon)

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

No featured comments yet—please check back soon!

Eating for Health: 1-Year Progress Report

[Bloviation alert: This is a long one; 4,000 words and then some. You have been advised. —Mike the Author/Ed.]

-

'Kay, today's the day. It's been exactly one year since I began my diet experiment, so here's yer helpful friendly one-year progress report. I'm not a doctor or a nutritionist; this is just an account of my own experience, my own journey.

To briefly review, last December 19th, one year ago today, I started time-restricted eating (TRE) and a whole-food plant-based (WFPB) diet. TRE means you only eat during a defined "window" of time every day. WFPB means you aim to get at least 80% of your calories from unprocessed or minimally processed plants. Actually I slowly transitioned to a Dr. Greger / nutritionfacts.org diet, which might more accurately be called a "FAM" diet, meaning "food as medicine."

A Confluence of Coincidences (Life In These Troubled Times, Dept.)(OT)

I don't know about where you are, but I've noticed that several business owners around here have mysteriously gone missing. A tradesman has a "family emergency" that's extending into several weeks...a restaurant manager who never took time off is suddenly taking lots of time off...a knowledgeable local retail sales guy was "on vacation"—in early December? Maybe he got an off-season rate. A sole proprietor broke appointments and has gone incommunicado. And so on.

Perhaps it's bad for business to let a certain thing be known? Or perhaps it's just a confluence of innocent coincidences.

Sincere good wishes to all such folks, wherever they actually are.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

AN: "Aside from the more direct virus and economic problems, there are a lot of related mental health issues going around. I work at a large state university, and since the pandemic started, many students have become very unreliable, erratic, withdrawn, and uncommunicative. I’m used to having some flaky college students around, but this is an extreme and widespread change."

Mike replies: I'm very sorry to hear that, but not surprised. College is a difficult time of life for many people. It was for me. Now I have adequate resources as well as experience and maturity, but even so I can feel the tug of the pandemic's various destabilizing effects sometimes. Let's hope hard for improvement in 2021.

Blog Notes: Blog Birthday

Item: Dang, I missed our birthday! The Online Photographer turned 15 a few weeks ago, on November 22nd. When I started this in 2005, my ambition was to try to keep it going for ONE WHOLE YEAR. That goal seemed unlikely. And here we are, 15 years (and a few days) later, still spluttering along. Pretty amazing. It's like starting an OC/OL/OY with dubious prospects, entirely unsure if you can make it, and then finding yourself still shooting with that same camera and lens fifteen years later.

Item: We had a lovely snowfall last night. Nine inches where I am, a medium powder.

Item: I'm going to be taking Christmas week off this year (I normally take three days). I'll be gone starting Mon. Dec. 22 and return on Sunday Dec. 27th. Hopefully before I go I'll post some links to some gems from the archives for those who want to go exploring.

Item: Two days from now, on Saturday, it will be the one-year anniversary of my latest diet experiment, and I'll post an update. During the past year I've been practicing time-restricted eating, plus I've been following a mainly plant-based diet. I'm trying to keep the size of the post down to something less than book-length! It's been an interesting experiment.

Item: I believe the recent "What Do You Shoot With These Days?" post received the second-highest number of comments in TOP's now 15-year history: 293 as of this morning. The all-time record is 701 comments, and it was to a question very similar to this one back in 2014—I asked about "Your Favorite Digital Camera." The Nikon D700 won the contest at that time.

Item: We didn't have any Print Sales this year, turns out. An idea for the next one is a-stirring in my brain. I have something a little different in mind. Because the last few sales have sold between 50 and 100 prints, I thought I'd collect a limited number of prints from each of several photographers, get them all boxed up and ready to go in advance, then offer them to you, first come first served. There are reasons for such a plan, one of which is that it sounds like fun to me.

As ever, I shall keep you posted.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

(To see all the comments, click on the "Comments" link below.)
Featured Comments from:

Jay Salisbury: "I’ve been here for all those years though I never comment. Have enjoyed your blog even though I’m not even real serious about photography anymore. Anyway, just wanted to say thanks!"

Mike replies: Well, I'm glad you finally spoke up! And you are welcome.

Roger Bradbury: "Happy birthday, TOP man! I think I started here about fourteen years ago, and have been chipping in with comments ever since. Since I enjoyed the blog so much, early on I went back right to the beginning and went through all your old posts; first on the old site, then here. It's a nice place to be, which is why I keep coming back."

Caleb Courteau: "I forget how I found you Mike. I think it may have been through the Sunday Morning Photographer at the Luminous Landscape. I was in my early twenties then and am now thirty-five years old. At this point reading your writing has been a part of my weekly routine for a large fraction of my life. Jobs, girlfriends, and cameras have come and gone while reading your blog. I bought my first house, got married, and started a new career, but The Online Photographer has been a steady companion throughout."

Mike replies: That's humbling, Caleb, thank you. I'm honored!

Thelma Pepper 1920-2020

Thelma Pepper receiving the Saskatchewan Order of Merit in Regina in May 2018. Photo courtesy Gordon Pepper.

I guess if you are going to write about 98-year-old photographers, you're going to have to swallow some hard news sooner rather than later. I'm sorry to report that Thelma Pepper died.

She had a reasonably long 40-year career as an active photographer...which only began when she was 60. "Life really begins for a lot of people at 60," she said.

She had a sharp interest in politics and especially in people. She was a photographer of Saskatchewan, the Canadian province smack dab in the middle of the country, due north of Montana and the Dakotas—the middle of the three "prairie provinces" and the only Canadian province without any natural boundary (the Canadian Rockies provide the Southwestern border of Alberta). Born in Nova Scotia, she arrived in Saskatchewan in 1947, and later took up her Rolleiflex TLR with the intention of documenting the stories of "forgotten" women of Saskatchewan's vast plains. She also had a secondary interest in the province's landscapes, making multiples created by patching together different frames—panoramas with the "bones showing," you might say. You can see a few of those here.

It's gratifying that she received so much recognition from her province. She received the lifetime achievement award for her photography at the Lieutenant Governor's Arts Awards in 2018, and was awarded the Saskatchewan Order of Merit in 2018.

A new biography of her is called Thelma: A Life in Pictures. Another book comes up on Amazon called PROOF: Did You Like That Photograph? How Passion and Creativity Can Lead To A New Life After 60—The Life and Times of Thelma Pepper, but I'm not sure that one exists; it's not available on Amazon and it doesn't come up in searches on Abebooks or eBay, which puts it pretty far out on the edges.

A book called Human Touch, containing "50 portrait images selected from Thelma Pepper’s entire body of work of 2,350 printed photographs," is apparently mainly sold locally in Saskatoon. You can also find it online here.

Anyway, I've liked what I could see of her. "She touched and inspired everyone she met. She loved talking to people, learning about them, and ultimately, in her own quiet and confident way, making all she met feel better about themselves and their own lives," her son Gordon told the CBC.

It might be that her great age helped her work rise above the waves, but in another sense you could say she died young.

Mike
(Thanks to Phil Hall)

From Gordon Pepper: "Thank you very much for the wonderful article on my mother Thelma Pepper. My mother loved meeting and learning about the people she met, and expressed this though her photography. One of her last things she said to me, about a month ago, was her wish that some day Canada would have a national portrait gallery. She believed that portrait photography was one of the meaningful ways of (artistically) understanding a certain place and time—through its people. Thank you again."

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

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Lesley T: "Thank you. What a lovely story, and what wonderful photographs. Older people are sometimes discouraged from starting something new, but sometimes the new experience gives purpose to one's life and produces something marvelous."

Michel Hardy-Vallée: "There are so many Canadian photographers that don't get much exposure outside of the country. I'm glad to discover Thelma Pepper; I didn't know her. Yousuf Karsh 'of Ottawa' has stolen the thunder, but here's a few, taken randomly: Sam Tata, Gabor Szilasi, Margaret Watkins, John Max, Alex Henderson, Guy Borremans, Carole Condé and Karl Beveridge, Michel Campeau, Jeff Wall (yes), William Notman, Donigan Cumming, Michael Flomen, Antoine Desilets, Evergon, Evariste Desparois, Michel Campeau, Sylvain P. Cousineau, Normand Rajotte, Jean Lauzon, Dave Heath, Serge Jongué, Nina Raginsky, Judith Eglington, Benoit Aquin, John Vanderpant, Julie Doiron, Raymonde April, Roloff Beny, Geneviève Cadieux, Fred Herzog, Shin Sugino, and I could go on...."

Gary Nylander: "So sorry to hear of Thelma Pepper's passing. I was first introduced to her photography from the CBC article from a couple of years ago. A fine photographer she was and an even finer human being."

Richard Parkin: "David Hockney used 'joiners' to describe composites 'with the bones showing.' Seems a useful word to me."

Terry Burnes: "I'm a descendant of prairie people. They're resilient. The prairie and its people are a fascinating subject to me. The great North American landscape, in my opinion, is hard to capture well. And the stories there are are about stalwart people in a difficult land. This reminds of another female photographer whose story I find compelling, Evelyn Cameron, who documented early prairie life in eastern Montana, no simple undertaking."

Evelyn Cameron, photographer (MHS Photograph Archives, Helena, Montana)

Mike replies: "Cameron covered a lot of ground on horseback to take her photographs. In order to find subjects, she often rode 20 to 30 miles round-trip carrying her 9-pound camera tied to her waist and her wooden tripod in a gun scabbard. Virtually all her work was done in the field because she did not operate a portrait studio. She was tough, dedicated, and loved her work."

That's from Evelyn Cameron, Montana's Frontier Photographer by Kristi Hager. The picture above was taken the year after Thelma Pepper was born.

Two Comments

I got a bit inundated with comments to the previous post (275 so far*, including the Featured ones) and a lot of them are not all that quick for me to parse because they mention more than two cameras. But enough with my griping already!

Anyway, as I sometimes do, I fell down on the job and got behind on the comments to a few of the posts prior to that. Everything's posted now, but here's the problem—visitors don't look at older posts. After a post has been up for 3–5 days, it's only getting a small fraction of the views it got when it was fresh. And people who've already read it often don't go back later to read it again. What this means is that if a great comment comes in six days after the post is published, there's little point in adding to the post as a Featured Comment because no one will see it.

Then when I'm responsible for burying comments in this way, I feel ashamed. Bad Mike!

Long story short, here are two comments I thought you'd like to see. I should have added them as Featured Comments to the respective posts, but too late now.

The first is from Chap Achen, who responded to the post "Electric Trains and the Electric Flash Lamp" with a picture. I wrote that "the center of the train-loving generation in America is males who were 10 in 1950, when electric trains were the number-one Christmas wish for boys."

Chap replied, "I am one of the boys you talked about (76 years old) and I looked forward to every Christmas morning when new items were added to the layout. I still have boxes of train items and accessories that my wife asks me to dispense with but alas not to be. Here is a photograph of my Grandfather and me on Christmas morning 1948."

This is the perfect illustration for my little aside about the toy train generation (which I learned about when I worked for Kalmbach Publishing), right? But it doesn't do much good to add new items to yesterday's newspaper. I didn't want Chap's lovely old family picture of himself and his grandfather to get lost. (As an aside, don't forget to take and print pictures like this. It might sound superficial to say, but the documentation of our lives and the lives of those we love is one of the great joys of photography. I can imagine what the above picture means to Chap now.)

Tributes
The other comment I neglected to post soon enough came from our friend Ken Tanaka in response to the post "Random Excellence: John and Yoko by Lilo Raymond." Ken is a patron of the arts (although he never blows his own horn in that respect), has been a loyal reader of TOP for many years, has written posts for us, recently self-published a book of his fine city scenes that I've perused and enjoyed several times now, and has been the featured artist in a TOP Print Offer (the print hangs at the top of my stairs). He was responding to Marcelo Guarini's picture in Marcelo's own Featured Comment. Here's the picture again, his homage to John Lennon:

Marcelo Guarini, We Miss You John

"Lilo Raymond's apparently casual moment image of John and Yoko is really lovely," Ken writes. "But Marcelo Guarini's 'We Miss You John' is magnificently clever and potentially iconic. Wow. Love it. (Can I buy a print?)

"Since most of your readers are fellow boomers who have their own Beatles/Lennon stories I'll keep mine short. I was in Halifax, Nova Scotia to teach a three-day class on December 8, 1980. The weather was raw and I really didn't want to be there. I was looking forward to the coming weekend when my first wife and I were buying our first good stereo system. As I was slobbering over the gear lit in my hotel room that evening, the news bulletin struck me like a bolt of lightning. I was distraught. I was angry. I still am. Fast-forward to the evening of December 8, 2009. I was in New York on museum business and was attending a cocktail party at an apartment across the street from Central Park. I was admiring our host's art collection when I glanced out the window and noticed a candlelight gathering across the street in the park. Another bolt of lightning struck as I realized I was seeing a Lennon memorial in Strawberry Field. I couldn't help tearing-up for a moment. I wanted to join them...but couldn't. I am not really a big pop-music fan. But the Beatles were the most important musical group of my life. And they still are.

"Thanks for posting the photos."

Mike
(Thanks to Chap and Ken and all our commenters)

*The record for the most comments for one post is 701.

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

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What Do You Shoot With These Days?

Based on actual usage rather than ideals, what would you say your two main cameras are these days? If it can be b0iled down to two, I mean. Main camera and primary alternate. I just wonder what people are actually shooting with these days.

I was going to say Main: Fuji X-H1, Primary Alternate: Fuji X-T1, but then it occurred to me that I do a lot of "all kinds of stuff" with the iPhone too. I guess if I had to say, for my main camera I switch off between the X-H1 and the X-T1 (which I try to keep in the car) and then my primary alternate is the iPhone. Of course that's cheating on my own rules which is pretty absurd!

I find I still don't like to "claim" the iPhone but I have to be honest.

You? Where're you at these days?

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

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SteveW: "My main cameras for some time have been Nikon D750 and D7500. I'm a Nikon guy, and the cameras are easy for me to use. (I doubt I'll find the motivation or justify the expense to change systems, even to the Nikon Z system.) That said, I am more and more using my iPhone 11 Pro. I'm finding it fun to use, and getting images in different ways just by how small the phone is, and how I can hold it in varying perspectives so quickly and easily. And it's always with me. After using the iPhone, picking up one of my DSLR's is quite an A/B effect. Like going from a Miata to a Suburban?"

Ed Donnelly: "A9 for wildlife and other moving objects, and A7R IV for everything else. Although I own and am very fond of an X-T3 as well, it just doesn't get as much love as the Sonys for some reason. "

Brad Burnham: "Hasselblad 500C and iPhone XS Max."

Kyle Batson: "I lucked into a windfall earlier this year and splurged on a Leica M10. I’ve barely put it down since. And because my Voigtlander 35mm ƒ/1.4 is under repair, it’s been my 50mm ƒ/2 Summicron that I have been shooting with for the past several months. It’s the most wonderful shooting experience I’ve had, second to my Fuji X-T3 with 35mm ƒ/2 I sold two years ago.

"My other go-to, my secondary, is my Sony RX10IV. I’ve never been a super zoom fan, but the size, zoom range, image quality, and value combination is unmatched. I don’t use it nearly as much as the Leica, but it’s great for hiking, travel, and wildlife work. Still in my kit is the wonderful Sony A7 III and Leica Q, but they overlap a lot with my other cameras for current uses so much they aren’t getting much use lately."

Jay Burleson: "Gone back to ultra-simple. I now have only two cameras (have never really used my phone for pictures). Carrying a Leica Q2 and a Leica Q2 Monochrom in one bag and the whole package is not much bigger than a loaf of bread. Just like the old days; one body for color and one for B&W."

Fulvio Senore: "Just one camera: Panasonic GX9 with the 3D printed handle that you recommended about six month ago."

Cecilia: "OM-D E-M1 Mark II and iPhone X...I keep thinking I should need more...."

Mike replies: Count your blessings!

Carl Blesch: "Bought a Nikon Z6 in mid-2019 and have been in love with it ever since, mainly for delivering clean images in low light at high ISO settings. My previous main camera, a Nikon D7100, continues to be a useful backup, especially for long telephoto shots with its DX sensor. And, of course, my iPhone."

Brian Small: "Canon M5 for my main. I don't really have a primary alternate but I do have a collection of old digital point-and-shoots that I still use regularly."

Lynn: "I must be the odd one out here. My main alternates between a Leica IIIc, CL (film) and OM-4. Mostly with 21mm and 35mm lenses. Sometimes a 50mm. Alternate is one of the Fujifilm Instax models—the Mini 9, SQ6, and Wide 300, depending on the subject. I just love the Instax colors and rendering. The monochrome film is not too bad either."

Lesley: "My main camera is a Nikon D600 and the secondary one was a Nikon AW1 (mainly used for cycling and kayaking) until last winter when I bought a Nikon Z50 as a lightweight camera for a spring trip that never happened thanks to COVID-19. At first I was annoyed because I no longer 'needed' it, but now I often have it in the car, or in my purse, and I'm really glad that I bought it.

"I have used Nikons since the days of the Nikkormat and it's nice to have a camera I can still use with an older lens."

Chris Kleihege: "So far my team is looking so lonely...My main camera is a Walker Titan 4x5 and my point-and-shoot is a Polaroid that was my grandfather's. It's modified to hold 4x5 holders."

Joseph Brunjes: "My Chamonix trio of awesomeness (4x5, 11x14, 8x10)."

Mike replies: Chris, meet Joseph. Joseph, Chris.

Carl Coryell-Martin: "I'm about a month into a one camera, one lens, one year project with a Fuji X-Pro2 and 35mm ƒ/1.4. I purchased the 35mm lens back in January for a canceled trip to Singapore, and finally started bonding with it back in November."

Tim Wilson: "Huh. Three pages of comments, and my browser is finding zero instances of 'S1R,' as in Panasonic Lumix S1R, my current 'primary.' Would have thought there'd be others here who'd discovered this phenomenal camera and its system of fabulous lenses. Mine is responsible for banishment to a storage cabinet of (in order of declining pixel count) a Pentax 645D, a Nikon D810, and a Canon 5D mark II. Secondary: Lumix G9."

Mike replies: Here's a nice picture of it by way of consolation.

Lars: "Zeiss Ikon ZI + ZM Biogon 25mm ƒ/2.8 + Fuji Superia 400. I read your review here in 2008 and decided to buy that camera. I'm still using the same combo each and every week. Couldn't be happier!"

Mike replies: That's so cool.

How to Buy a Pool Table: A Beginner's Guide (OT)

For those of you who are interested, here's my guide to how to go about buying a pool table. As ever, I'm mainly a reporter here: I listen to and read experts but I'm not an expert myself. Note that this Guide is for the U.S. If you live outside the U.S. I can't be of much help.

Electric Trains and the Electric Flash Lamp

Right now is the time to be buying Christmas presents to put around the tree for kids. Toys tend to come and go in popularity, but electric trains continue to have "traditional" associations with Christmas in the U.S. I was at a Christmas celebration just a few years ago where there was an operating electric train circling the base of the Christmas tree.

Turns out there was a photographic connection, way back.

In 1899, a man named Joshua Cohen invented a product for photographers called the Electric Flash Lamp. The Flash Lamp used electric current to ignite flammable magnesium powder used as flash for lighting photographs. Prior to that, flash powder, invented by Adolph Miethe and Johannes Gaedicke in Germany in 1887, had to be ignited manually, which was known to be perilous to the photographer. Magnesium flash powder itself was risky to bystanders, pets, small children, and structures! (It would be interesting if we could have had pictures taken just after the explosion of the "flash"—they no doubt would have showed surprise and alarm on subjects' faces. Alas, there were no motor drives on the old glass-plate box cameras of the day.) Cohen's invention later had other applications, notably being used to ignite underwater mines for the U.S. Navy.

A year later, Cohen, who later spelled his name Cowen, used the profits from his invention to start another company, one that made toy trains. He named that company using his middle name: Lionel. Lionel Corporation went on to dominate the market for electric trains, becoming the largest toy manufacturer in the world in 1953.

Lionel trains have been through many changes of ownership since then, and it's a long story, but at one point it was purchased by an investor group that included rock star Neil Young, who took an active hand in creating products and who to this day continues to be a consultant for Lionel's high-end products. Another former owner whose association might be less a point of pride was the malignant Roy Cohn, who has cast a long, dark shadow across American politics and about whom the less said the better. Cohn was Cowen's grand-nephew, and bought the company from him when Cowen retired in 1959.

The generation that treasured toy trains is aging out now. According to Kalmbach Publications, which publishes Toy Trains and many other train-themed magazines, the center of the train-loving generation in America is males who were 10 in 1950, when electric trains were the number-one Christmas wish for boys. That boy, who might have gotten up on Christmas morning to find a train set up around the tree, would be 80 now, and might have spent his whole life having a soft spot for toy and model trains.

As for the Flash Lamp, although many obsolete products and processes continue to be used in photography by enthusiasts and antiquarians, I've never heard of anyone still using magnesium powder flash! Much less Joshua Lionel Cowen's Electric Flash Lamp. But it served its purpose at the time...several purposes, it turns out.

Pirie MacDonald, Jacob Riis, 1906

If you'd like to read a little more about very early flash photography, there's a well-written, succinct article about the pioneering, Danish-born, progressive-era photographer Jacob A. Riis (who I think looked a little like the character "Cliff Clavin" on the old TV show "Cheers") by Miriam Bader at a site called Khan Academy that I thought was good. Flash powder was the newest thing when Riis started using it. Here's a quote: "Initially, Riis used a revolver to shoot cartridges containing the explosive magnesium flash-powder, but he soon discovered that showing up waving pistols set the wrong tone and substituted a frying pan for the gun, flashing the light on that instead. The process certainly terrified those in the vicinity and also proved dangerous. Riis reported setting two fires in places he visited and nearly blinding himself on one occasion." Ah, the good old days.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

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Random Excellence: John and Yoko by Lilo Raymond

John Lennon was shot and killed by a deranged fan outside the Dakota, where he lived with his wife Yoko Ono, 40 years ago today. He was 40 when he died.

This picture, taken not long before John was murdered, is by Lilo Raymond, a photographer whose easy-going, gentle pictures I've always liked. It was featured in the book Yoko published after John's death called John Lennon Summer 1980, credited to "Yoko Ono with Eight Photographers." Of the eight, Lilo was the only woman. You can read what she has to say of the experience in the book if you go to this link and click on the relevant thumbnail (left, middle). She had a way with high-key light; many of her pictures seemed to be of light. Posters of her work were very popular. I remember a book of hers called Revealing Light but I haven't seen it now in many years. Lilo died in 2009.

The best book I've read about John Lennon's work is Revolution in the Head by the music critic Ian MacDonald. Ignore the Kindle preview, which contains only supporting matter and nothing from the heart of the book, which consists of appreciative and informative mini-essays on every Beatles song in chronological order.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

Thanks to all our Patreon contributors!

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Marcelo Guarini, We miss you John

Marcelo Guarini: "A minimalist homage to the great musician John Lennon in the 40th anniversary of his absurd, tragic death.

"I tried to convey his iconic image with round dark glasses using as few elements as possible, here two tubes from paper towel rolls, a bent piece of cardboard and some post-crop vignetting. A small but heartfelt tribute to his life and music."

Benjamin Marks: "A wonderful image, and one that I had not seen before. I was in high school when John Lennon was shot and I remember the news ripping through the corridors. By 1980 the Beatles' music wasn't culturally front-and-center; in fact, it was the comfortable music of many of our childhoods, played on records that became nicked and scratched until the skips in the albums became—in our heads—parts of the songs. But he was the first public figure I 'lost' and in a manner so randomly stupid and vicious, particularly considering what he had given the world."

B&W Is Expressive

Regarding the intended-to-be humorous re-post yesterday, obviously I was simulating the various "looks" through the years, and of course I was over-exaggerating most of the "looks" so each would be a little more evident 'n' obvious in little JPEGs. The original digital shot of the crows over the field was taken with a Panasonic GF1 and Panasonic 20mm lens. Here's another shot that shows the raptor more clearly, whatever he was—the crows would appear to get after him and then he would get after them. Seemed like sparring, with neither side clearly the aggressor.

Here's the other photo as an Instagram (thanks to blork).

In the wake of the original post in 2012, I invited readers to make their own interpretation of the file. Here's the post that shows some of their efforts. It's rather embarrassing that it's labeled "Part I"—I had enough submissions for a Part II, but apparently I never got around to putting them up. Mea culpa.

When you look at it, try exercising your delectation—decide which one suits your taste. (I notice a number of people did that with the first post.)

The takeaway here? "Black and white" doesn't mean just one thing. There are many, many different interpretations that you can make of any given file, just like there were many different styles you could (and still can) apply to FDP (film, development, print). B&W is actually very expressive and individual, if you develop your own taste in the way you like your prints to look and learn to apply it consistently.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

Thanks to all our Patreon contributors!

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Rory O'Toole: "Lovely to see this post again. Can't believe it was back in 2012!"

Brian Stewart: "You may have meant that 'B&W Styles Through the Years' post as satire, but it's actually quite useful. I'm currently editing a largish set of landscape images in B&W, and many of them as shot start out fairly flat. I have to decide in which direction to take them to make them tonally interesting. What is my artistic intent? And when have I taken it too far in that direction? A catalogue of radically different interpretations of an image, even exaggerated ones, is useful as a reference point and reality check, perhaps because they are exaggerated. More please."

Progress

The walls are primed and painted and the light got installed.

Can't say it's going fast, but it's progress.

Mike

Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.

Thanks to all our Patreon contributors!

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D Glos: "The open trusswork ceiling with gray paint looks great. It opens up the space vertically, and fools the eye into believing it is larger. Crown moulding at the top of the drywall would finish the wall space nicely, and could be paired with picture rail moulding for your gallery aspirations. Nice to hang artwork without poking holes in the freshly finished walls. Makes moving things around, or up and down, easy too."

Mike replies: It will get crown molding but plain white 1x4, not picture rail. And the windows will be trimmed (door too of course) if/when I can find someone with a table saw. I really don't want to buy a table saw just to rip nine pieces of wood!

Andrew: "I haven't kept track of your plans for the ceiling or the advice consensus. But the white walls with the grey joists, etc. look fantastic. Don't change them!"

Mike replies: Thanks. The walls are a Sherwin-Williams color called "Creamy," really just a warmish off-white. During this project, I discovered I like painting over primer. The walls soaked up a lot of primer, but the color went on so smoothly and covered so nicely that I was able to paint the whole room in one go. I used two gallons of primer but, of the color, only one gallon and just a splash from a second gallon. Anybody need one and 9/10ths gallons of "Creamy"?