[My apologies! I finished this this morning and thought I published it around 11:00 a.m. But apparently I just forgot to click the "Publish Now" button. That's only happened rarely in years of blogging. Anyway..."Open Mike" is the off-again on-again Editorial Page of TOP. Today's is a grab-bag. When Yr. Hmbl. Ed. is caught up with himself, it appears on Wednesdays. Even if only barely.]
-
Strange & curious: Been feeling like a hermit lately? You've got nothing on Christopher Knight:
For decades, the residents of Maine’s Kennebec Valley believed that the North Pond hermit was a myth. According to local lore, a hermit had been living undetected in the woods since the 1980s; every so often, he would break into seasonal cabins to steal food and other resources. But no one could prove the hermit’s existence—if he was out there, he had taken great pains to guarantee his isolation.
Then, in April 2013, a man was arrested in the deep woods of Maine. His name was Christopher Thomas Knight. According to societal records, he didn’t exist. For 27 years, he had camped out in the forest, surviving on meager supplies that he’d burglarized from houses in the area. He endured winter temperatures of 20 degrees below zero. Every morning, he watched the sun rise over the foggy valley that he called home. He hadn’t had a single conversation with another person for nearly three decades.
His greatest challenge was surviving the Winters. He would deliberately fatten himself up at the end of the Summer and into the Fall. A night camping in the throes of a Maine Winter is not for the faint of heart; a week of it qualifies an outdoorsman as a tough guy. In twenty-seven years at his encampment in the woods, Knight never slept in anything but a tent. The cold was so intense it drove him close to suicide. He would wake himself at 2:30 in the morning in the dead of Winter because he knew he stood a better chance if he faced the worst of the cold awake. "It's dangerous to sleep too long in Winter," he told the reporter who visited him in jail.
But apart from finding an intellectual who loved to read (and loved Lynyrd Skynyrd!), who knew who the Kardashians were, and was so averse to human connection that he seldom made eye contact, the reporter could get little out of him about the central mystery, "why":
Anyone who reveals what he’s learned, Chris told me, is not by his definition a true hermit. Chris had come around on the idea of himself as a hermit, and eventually embraced it. When I mentioned Thoreau, who spent two years at Walden, Chris dismissed him with a single word: "dilettante."
The first quote is by Emily Buder. The second is from a long article in GQ from 2014 by Michael Finkel called "The Strange & Curious Tale of the Last True Hermit." Fascinating article; recommended if you think you're "isolating"!
Snob about fiber-base: When I was young I was a snob about fiber-base black-and-white papers. They were the traditional material, made the old way. RC paper was "plastic," and was tainted by its early reputation for self-destructing. Good for intermediate prints and prints for repro only. Don't extrapolate this any further than it goes, but I will say this: I have plenty of workprints made on Ilford RC papers from thirty and thirty-five years ago, and they look as fresh and clean as the day I made them. I can't say if they'll last 70 years, or 200. But I like their chances.
Opinions about Bogart: I'm mildly a fan of movies made before I was born, especially the genre called "Noir," and if you like Noir you'll have opinions about Bogart. In his top three for me (the other two are The Caine Mutiny and of course Casablanca) is a little-remembered suspense thriller about a writer. To enjoy In a Lonely Place you can't focus on the murder mystery, which is nothing but a sub-plot—you have to get into its psychological portrayal of the doomed love affair. Movies that take this tack have to resonate with you in some way or they might not appeal much. But they can be deep and meaningful if they do touch you.
In a Lonely Place was directed by Nicholas Ray, who directed Rebel Without a Cause and influenced Godard and the French New Wave. It co-stars his now little-known wife, Gloria Grahame. Their marriage broke up during the filming but the two kept the breakup secret so as not to jeopardize the project. The script departed greatly from the book, and the director and actors departed greatly from the script—Ray cleared the set and crafted a new, more subtle ending with the two leads when the planned finale, which had already been shot, rang false. The movie creates characters who might now be understood as having what's called an avoidant/dismissive adult attachment style, but with sympathy for the tragedy inherent in being trapped in such a state. Glenn Erickson of DVD Savant put it beautifully:
Relationships are delicate animals—they can be killed by the wrong words, the wrong actions. Dix and Laurel are madly in love with one another, but that trust is destroyed when her terror and his rage go over the edge. It doesn't matter that he's innocent, or that they are both in intense remorse over what happened. It can't be taken back, and the romance is finished. Both will have to go back to their personal 'lonely places.'
Brilliant lines of criticism—so very much on the mark.
Of course another reason I love old Noir films is for the black-and-white. In a Lonely Place was shot by the cinematographer Burnett Guffey, who also did Bonnie and Clyde, a movie whose cinematography is naturalistic and plainspoken. Cinematographers have trouble being artists because they seldom get to pick their projects; the best they can hope for is to become the go-to of a great director. Guffey was a get-it-done pro whose life's list of accomplishments is a motley of good and bad, television and film, the trivial and the profound. But In a Lonely Place is as outstanding in 1950 B&W as Bonnie and Clyde is in 1967 color. A treat. I'd like to see more of his work.
Gloria Grahame and Humphrey Bogart in In a Lonely Place
Carrie Rickey of The Moviegoer considers the performances the best of of both Grahame's and Bogart's careers. The most disturbing thing I've read about the film? Louise "Brooksie" Brooks said that of all his roles, the role of Dixon Steele in In a Lonely Place came closest to the real-life Humphrey Bogart she knew.
As with all old Noirs there are numerous versions floating about. The print on Amazon Prime Video is great, and it's available on DVD and Blu-Ray from the Criterion Collection.
Young Girl Blues: Like guitar? My good old friend Kim's latest is a lilting and wistful mix of guitars across genres—indie, Brit-folk, blues, alt, folk-rock. It's been raining here for a week, and it's a great hour's listen on a rainy day. I loved the Band of Horses song, which I had never heard before. And yes, the "cover" art of Young Girl Blues is in beautiful black-and-white.
Something I happened to hear on XM Radio in the car: it's a version of Led Zeppelin's "Going to California" with the vocals removed. It's one of those songs I've always loved and never tire of, but I found it fascinating how much the vocal serves as another instrument and another line, and how different the music sounds as an acoustic instrumental. Just a curiosity. Lend an ear if you're so inclined.
Aromatically yours: One final reading. Another of my old friends you've met in these pages before, Jim Schley, just published a review of a new book of poetry, Elizabeth A.I. Powell's Atomizer (Amazon).
Vermont poet Elizabeth A.I. Powell's way with words is daring, sardonic and ingenious. She enjoys mixing registers and realms—pop and literary culture, consumerism and religion, self-help and sacrament.
That just makes it sound like something I would enjoy.
The structure (or "scent and architecture," as Powell puts it) of Atomizer is fascinating. Along with its zany variety of forms, the book has a powerful through line, investigating the ancient, arcane and insidious role of perfume, tangled in seduction and deceit. The three sections of the book are named for terms used to categorize layered qualities in synthesized scents. "Top Notes" are "that which evaporates most quickly"; "Heart Notes" are "the distinctive aspects, most...charming, most intelligent"; and "Base Notes," the poet avers, "stay the longest...heavy and deep."
I liked the little tastes and teasers so much I had to order the book. Jim's reviews do that to me every so often. Here's Jim Schley's review of Atomizer, at Seven Days.
Mike
Original contents copyright 2020 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases.
Thanks to all our Patreon contributors!
(To see all the comments, click on the "Comments" link below.)
Featured Comments from:
HR: "With regards to your comment about RC papers I am reminded of this. :-) 'We should be careful to get out of an experience only the wisdom that is in it and stop there lest we be like the cat that sits down on a hot stove lid. She will never sit down on a hot stove lid again and that is well but also she will never sit down on a cold one anymore.' —Mark Twain"
Mike replies: Thanks! Yes, that. In this case I can only personally recommend Ilford RC papers. I used several others too, decades ago, but they're gone now.
David Evans: "I'm really loving Young Girl blues. I'm not familiar with Mixcloud—is it possible to see individual track information?"
Mike replies: Only if you sign up for a Premium account, which is $8 a month. But there's another way for most cuts. Download the Shazam app from the App Store. It allows your phone to listen to music, compare it to a database, and identify it. Kim will fool it sometimes because his mixes sometimes include extremely esoteric and rare music, but most of the cuts it will identify. I'll ask Kim if he can provide a set list for Young Girl Blues.
Kim was a legendary disk jockey at WHFS in Washington DC back in the station's heyday.
Bob Curtis: "Michael Finkel expanded the article into a book, The Stranger in the Woods [Amazon]."
scott kirkpatrick: "My favorite Bogart has always been Treasure of the Sierra Madre, which captures the bottled anger in 'Nobody puts one over on Fred C. Dobbs!' But I wasn't aware of In a Lonely Place, which leaves out the humorous touches and the sentimental ending, and thus is truly terrifying."
David Comdico: "In a Lonely Place is my favorite Bogart film. It peels beneath the surface of the Bogart character. On the other hand, Johnny Guitar [Amazon Prime Video] is my favorite film by Nicholas Ray. He was a real American original."
Keith B.: "Burnett Guffey's outstanding lighting in Bonnie and Clyde may feel naturalistic, but is actually fairly romantic in style. Naturalistic cinematography (no theatrical lighting, existing light taken as found) was then, and is still, considered too ugly to be employed for commercial narrative motion picture storytelling. There are exceptions, but not many."
Andrew Bearman: "Thank you for turning me on to Mixcloud and to your friend Kim's sets. I am now willingly lost in the woods of great music! And that Bogey still captures a look that only an experienced, weary cat like he could give. A look not too far from how many of us have felt at least a few times during this pandemic. Off to watch In a Lonely Place."
johnbabineau: "Hunch re KK’s Mixcloud: Handstanding athlete on diving board is the actress Doris Day. KK’s comedic gifts endure...."
Animesh Ray: "Your post made me remember a funny experience. I used to do extensive black-and-white printing for work when I was a grad student in the late 1970s–early 1980s. This was related mostly to printing of black-and-white photomicrographs and autoradiograms, for which we were supposed to print on multigrade silver gelatin papers. After that period I did not do any darkroom work, because most of those tasks was taken over by Polaroid for B&W or Kodachrome slides for color.
"Some 30 years later, in 2003, I wanted to do B&W printing as a hobby, so I went to the local city recreations department, which had a darkroom for the photo enthusiasts. The deal was that the use of the darkroom was free if you passed a test; otherwise you would need need to take a two-week course on printing. So I thought I would take that test. As it so happened, I had never heard of RC papers until that time, as I had only used fiber papers in the past—in fact we never called it that! We just called it a printing paper of a certain grade. All the test questions had to do with how to print and process RC papers, so to my utter disbelief I ended up failing the test. In science, we often feel like hermits stuck in lonely towers."
Uhh... the thing that should be emphasized is that the hermit survived those sub zero temps Without starting a fire- lest he be discovered!
Posted by: Stan B. | Wednesday, 28 October 2020 at 09:41 PM
You ever end up in rough area of a big city and came to the conclusion it might be best to get out quick? Karin and I did 4 years in Central Maine. We liked to drive and get lost just to see what we could see. Well in the boonies you can find yourself in a similar situation. When you drive through a little intersection village with folks living in shacks and immobile buses, with a few of the “residents” wanting to see who is driving through? Take Karin’s advice. “Get me out of here”
Not a knock on all the good folks from Maine BTW.
Posted by: Mike Ferron | Wednesday, 28 October 2020 at 09:58 PM
I also like old noir, the Bogart movies, but the three best noirs (in my opinion) were all done after you were born. They are the (A) 1975 "Farewell My Lovely" with Robert Mitchum ("It was one of those transient motels, something between a fleabag and a dive") (B) The Coen Brothers "Blood Simple" ("The world is full of complainers. But the fact is, nothing comes with a guarantee. I don't care if you're the Pope of Rome, President of the United States, or even Man of the Year—something can always go wrong. And go ahead, complain, tell your problems to your neighbor, ask for help—watch him fly. Now in Russia, they got it mapped out so that everyone pulls for everyone else—that's the theory, anyway. But what I know about is Texas...And down here... you're on your own.") And, of course, (C) "The Big Lebowski, also a Coen Brothers film ("Let me tell you something pendejo. You pull any of your crazy sh*t with us. You flash your piece out on the lanes, I'll take it away from you and stick up your ass and pull the f*cking trigger 'til it goes click.
I'm not counting Chinatown which is noir-like, but it's one of the best pictures ever made, and I think a real noir has to be a little cheesy. IMHO YMMV.
Posted by: John Camp | Wednesday, 28 October 2020 at 10:03 PM
In thinking about films shot in B&W have you viewed “Good Night and Good Luck”? They used B&W to get the feel of black and white tv of the early 50’s.
I really liked the movie and David Strathairn’s does Edward R Murrow better than Murrow does himself.
Posted by: John Robison | Thursday, 29 October 2020 at 12:37 AM
I'm also a big fan of Noir, and actually we have the "over-the-air" broadcast channel Movies! where I live, that has Noir films all day Thursday and Sunday night (I'm watching The Killer That Stalked New York" right now at 5:30 am!). That way I still don't have to pay for cable!
I've seen "In a Lonely Place" plenty of times, actually on this channel, and it's tough to watch in some parts and hugely dark. I'm not a blond fan, but got a soft spot for Gloria Grahame, she's way more talented than given credit for(and why is she always getting beaten, slapped, killed in everything she's in, including a scalded face by Lee Marvin; leave poor Gloria alone!).
Speaking of "not blonds", I loved Louise Brooks since I first saw her in my early teens! Whata life, from dancer, through films, and into film critique! I've seen, read, and owned almost anything film or book she's been in, or wrote, or wrote about! I can tell you that there was a time in my young life that any bar, restaurant, office I would walk into, I would immediate start a conversation with any women with a blacked-bobbed hairdo!
Posted by: Crabby Umbo | Thursday, 29 October 2020 at 06:49 AM
Well Mike, as time-served professional printer and photographer, I can only say that where I loved working with two basic grades of WSG papers from Kodak (2 and 3), Ilford rarely used, and then just for its rôle as a between-grade for Kodak, the advent of resin-coated "papers" ended my love for making the black and white print. Using filters was so removed from the visceral, deeply intuitive and emotional operation of printing that I felt it to be so remote from any sense of artistic endeavour that I could only think of it with the same, detached sense of mechanical operation as the making of C-types: without soul.
It was largely instrumental in my complete abandoning of printing. I was fortunate that my business had actually taken a turn towards the deployment of nothing but Kodachrome and Ektachrome. You could say that I found its contemporary equivalent, a decade or two later, in digital printing: an operation in button pushing until the "product" looks all right. Yuk. I can only say again as I have before, that had digital been the norm back in the late 50s, I'd probably have never become a photographer.
Posted by: Rob Campbell | Thursday, 29 October 2020 at 10:05 AM
Going to California.
One of my favorite bands is The Talking Heads, and I've always felt David Byrne's voice was a musical instrument in itself, and they way he sang, and the way he used his voice was genius.
Posted by: SteveW | Thursday, 29 October 2020 at 11:50 AM
Interesting hermit story. Since you used to live here in Oak Park, I’ll mention that there was actually a guy who lived for several years in Thatcher Woods Forest Preserve along the Des Plaines River to our west. I never saw him, but my older brother did. I saw traces of him, like brush shelters, etc. My brother felt the guy was probably ex-military and had survival training. Of course, winters here aren’t exactly like Maine.
Once my brother walked by him while he hid in the brush and told me the guy was trying really hard not to be seen. I think the River Forest cops knew about him but never arrested him. In any case, he’s gone now.
Posted by: TBannor | Thursday, 29 October 2020 at 11:55 AM
I wonder if a significant factor in the negative reaction to RC paper wasn't that its "glossy" (or 'F') surface wasn't anything like a real glossy (fiber-based paper dried pressed tight to a very smooth "ferrotype plate" or cylinder)? (I remember reading about an Ilford RC paper dryer that allegedly slightly melted the surface and produced a real gloss; but I never saw prints from one, never knew anybody who had one, and it was too expensive to buy as a total experiment.)
Now, not needing to invest in a rather expensive dryer like that may also have been a significant factor in RC paper's success. And less washing time was nice.
Even today, the good papers don't include a good glossy, we use "lustre" and things. Which are nice surfaces, just not the same as glossy. At one intermediate point I had an Epson pigment ink photo printer that had a gloss overspray; it would produce real glossy prints. It was wonderful! (I think it was an R800; looks like you can still get ink cartridges for them. The R800 is limited to letter size, though I do believe it had a big brother that did the next size up.)
Posted by: David Dyer-Bennet | Thursday, 29 October 2020 at 02:22 PM
My favourite Bogart film is the "Big Sleep". It has some of the best dialog ever in any movie. And I would like to point out was co-written by a Noble Prize winner, William Faulkner.
Posted by: Zack S | Thursday, 29 October 2020 at 08:20 PM
Kiss Me Deadly, Touch of Evil and, of course, Double Indemnity.
Posted by: Thomas Walsh | Thursday, 29 October 2020 at 09:33 PM
Oh another interesting fact about the "The Big Sleep" is that one of the other writers who worked on it was Leigh Brackett. She co-wrote a movie you have probably heard of, "Star Wars: Episode V - The Empire Strikes Back".
I kind of strayed a bit off the original subject...
Posted by: Zack Schindler | Friday, 30 October 2020 at 02:24 PM