Leaving PhotoPlus last week, I realized I was photographing none other than the famous Louis Mendes, the celebrated throwback "street corner" photographer. His profession is a holdover from another time (and, chiefly, other places). Louis, who lives in Harlem, makes his living selling spur-of-the-moment portraits to passers-by. He uses a Graflex Speed Graphic that's as old as he is (both born in 1940) and instant film, otherwise unidentified.
Of course we had to do it. Both Gordon and I took portraits of Louis, too, but a better portrait than either of ours was taken by Tom Judd, so here's that one:
Louis Mendes, Photographer, by Tom Judd
(used with permission)
And here's Louis's "one shot" portrait of myself and Gordon:
Fun. Nice to encounter Louis, and I hope he had a good show too, "coals to Newcastle" and all.
Mike
(Thanks to Tom)
Original contents copyright 2015 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site.
(To see all the comments, click on the "Comments" link below.)
Featured Comments from:
Bill Mitchell (partial comment): "That's a top-rangefinder Graphic, not introduced until the 1960s."
Mike replies: Tom's portrait shows a different camera than the one Louis was using when we met him this year, the one he said was from 1940. Here's my snap of him from last week, HDR'd a little more than usual to show the camera better:
(Click to see larger)
Will: "As a New Yorker, I cross paths with Louis between four and eight times a year, at least half of the time within a block of B&H. I always enjoy seeing him and admiring his Speed Graphic and his personal style."
here's my experience with a photographer who makes his living selling spur-of-the-moment portraits to passers, albeit with his parrot -
http://landscapist.squarespace.com/journal/2008/1/29/fyi-a-career-in-photography.html
Posted by: Mark Hobson | Thursday, 29 October 2015 at 01:22 PM
That's a top-rangefinder Graphic, not introduced until the 1960s.
Did he use 4x5 or 3x4 film?
Posted by: Bill Mitchell | Thursday, 29 October 2015 at 01:35 PM
I see Louis from time to time in front of B&H.
A few weeks ago, I took my son to an event in Brooklyn (vintage buses on display!) and there he was, the man himself. He smiled when he saw my Canonet GL17 GIII, so I went over to say hello. He said to my son, "oh, yeah, I know your dad. He's a real photographer."
Never have I felt like such a real photographer. Thanks, Louis.
Posted by: Ben Rothfeld | Thursday, 29 October 2015 at 04:56 PM
Mike, I know you have a sense of humor, you certainly leave me laughing and smiling quite often, and you show a zest for life. But I have to ask, do you ever smile? I've only been following the blog for a couple of years but I can't remember a photo of you where you look like you're enjoying the moment.
Not a criticism as I hope the preceding paragraph make clear. Just curious.
Posted by: Bob Smith | Thursday, 29 October 2015 at 06:08 PM
Fuji stopped making instant film in 4x5, which was a thing of beauty. I want to weep whenever I am reminded of it. So my guess is 3x4, which they still make.
Posted by: David Comdico | Thursday, 29 October 2015 at 07:03 PM
Mike, check that on the smile question. Ya got a big ol' one in the Instapix shot in a post below!
Full disclosure, my wife always asks me why I don't smile in photos and I'm alway "Huh? Im smiling!"
Cheers, Bobby Straighface.
Posted by: Bob Smith | Thursday, 29 October 2015 at 08:17 PM
More Mendes:
Posted by: XM | Friday, 30 October 2015 at 12:34 AM
It certainly makes the leica SL look small :-)
Anthony
Posted by: Anthony Shaughnessy | Friday, 30 October 2015 at 10:00 AM
A little mystery solved for me!
At the 2007 Atlantic Antic, a HUGE street fair held on Atlantic Ave. in Brooklyn the last weekend of September, I took this image of a photographer with Speed Graphic.
Certainly looks to me like Mendes, but all the gear and an assistant seemed to me different than the way of working outlined here. I assumed he was taking sots of the fair.
I took the shot, and included it in my book Three Days in Brooklyn, as a contrast. Here were this guy, Picture Man, according to the brochure, and an assistant, with a mass of photo equipment, sitting down, while I was up and actively taking pictures.
Knowing now what he was likely doing, I imagine they were just taking a break from a very busy day when I happened by. Electronic flash for the realities of working for hours; all the gear probably being power/recharger for the flash and lots of 4x5 instant film packs.
(Couldn't get a good shot of the guy with the then new Leica M8, who had it unused, hanging from its strap, the whole time I saw him.)
Posted by: Moose | Friday, 30 October 2015 at 01:12 PM
Here's one of Louis that I shot at the recent Photoville in Brooklyn, NY.
http://brucepolin.com/set-v/louis-mendes
Posted by: Bruce Polin | Friday, 30 October 2015 at 05:36 PM
He is generally using a crown graphic, not a speed graphic, which makes sense; he is using lenses in shutter for the flash sync, and doesn't need the focal plane shutter of the speed graphic. Plus the crown is lighter and thinner.
Posted by: Ed | Saturday, 31 October 2015 at 11:03 PM