-
(A Magnum video. Best if you go to full screen.)
Send this post to a friend
Please help support TOP by patronizing our sponsors B&H Photo and Amazon
Note: Links in this post may be to our affiliates; sales through affiliate links may benefit this site. More...
Original contents copyright 2012 by Michael C. Johnston and/or the bylined author. All Rights Reserved.
Featured Comment by Dave: "Ahhh...Coney Island. I can smell the Coppertone.... I was born in raised in Coney Island, within spitting distance of the beach. In the 'seventies, although I had already moved to other parts of the city, I returned often to shoot on the beach and the boardwalk. From the look of his pictures, Bruce and I were probably out there around the same time. That place and that time defined the golden age of street photography for me. People were relaxed—they were enjoying themselves, and they weren't afraid to let their guard down. It was easy to connect with strangers—most of the time, stealth wasn't a part of the equation. There was an unspoken trust between subject and photographer that led to a deeper level of engagement between the two. I find that quality missing from most of the street photography I see today, and I consider it a loss. Thanks for posting the video, Mike!"
Wonderful movie. After this and Andrew's article I ordered my K-01 and I'm off to the street (beach)
Keith
Posted by: Keith Thompson | Saturday, 16 June 2012 at 08:22 AM
I watched this video in hopes of understanding what the appeal for street photography is(after all, it is a Magnum production). I was shown a place I would not want to visit and heard the photographer make fun of some of the people he photographed. I still do not find street photography appealing.
Posted by: darr | Saturday, 16 June 2012 at 08:51 AM
This is GOOD "street" photography -- well edited with a point of view, not haphazzerd shots of masses of people doing nothing of particular interest.
Posted by: Bill Mitchell | Saturday, 16 June 2012 at 10:40 AM
Disabuses you of the need for sharpness, doesn't it?
Posted by: John Camp | Saturday, 16 June 2012 at 11:47 AM
While on the topic of street photography and Bruce Gilden, Bill Cunningham (the other guy in that picture) is shown in a rather wonderful documentary.
Bill Cunningham New York
It's one of the best films about a photographer I've seen recently. I believe you can see in on Netflix and Amazon.
Posted by: hugh crawford | Saturday, 16 June 2012 at 12:17 PM
Alas, that Coney, and that New York, no longer exist. But then incremental and sometimes dynamic change have always been part of the New York landscape. Scorsese's Gangs of New York has a scene at the very end that shows the NYC skyline evolving throughout the decades, it's surprisingly moving and almost makes sitting through that mess of a movie worthwhile. American Experience also has a great documentary on the history, grandeur and gradual decline of what once was Coney Island.
http://www.pbs.org/wgbh/amex/coney/
Gilden's book, Coney Island, remains to this day one of the great paean's to: street photography, B&W film, the quintessential New York character- and what once was its most surreal and often maligned piece of real estate.
Posted by: Stan B. | Saturday, 16 June 2012 at 12:50 PM
Mike,
I also recommend the film "Bill Cunningham New York." It's available from Netflix, both DVD and streaming. Cunningham works in an unusual niche (fashion/street/society) and he says in the film other photographers wouldn't call what he does photography, but he comes across as an eccentric, wonderful, and fascinating person.
As for Coney Island, I much prefer Harold Feinstein's work to Gilden's. (www.haroldfeinstein.com) Harold's book is coming out soon.
Posted by: B.J. Segel | Sunday, 17 June 2012 at 02:44 AM
Coney Island was killed off by air conditioning. I think that's why you don't see the dense crowds like Weegee photographed during the 1940 heat wave. It's the beach New Yorkers can get to easily by public transportation. If you can close the windows and turn on the air, there's much less incentive to get on the train and commute to the beach.
Posted by: David A. Goldfarb | Sunday, 17 June 2012 at 10:41 AM
I'd not seen this work before but I was instantly struck by the parallels between Gilden's work here and Martin Parr covering the English seaside.
Posted by: Martin Doonan | Sunday, 17 June 2012 at 11:41 AM
I hadn't come across Dave Reichert before (www.davereichertphoto.com) (featured comment). He may have moved on from the "early" work featured on the website, but that stuff certainly resonates with me. For the people who think they have seen it all before, I can only think that they are maybe the sort of people who no longer read books because they've read all the words before.
Made my day
Posted by: Richard Tugwell | Tuesday, 19 June 2012 at 02:04 PM