Not quite the D90s replacement that was expected—Nikon insists the D90s will remain in its lineup—the new Nikon D7000 just announced today will nestle in between the D90s and the D300s in Nikon's range. More tweaking of the lines from the big two....
Still no body-integral image stabilization. Dominant cameramakers Nikon and Canon make more money adding this feature to individual lenses, even though that strategy is more expensive and less flexible for photographers. (In-lens IS is widely believed to be more effective for long pro telephotos, however, and long, fast teles are a lens type basically only comprehensively provided by the two big industry players. Of course there's no reason both types couldn't be usable with the same body.)
The D7000 has 16.2 megapixels, similar to the 18-MP of the Canon 7D and 60D, and the second-best resolution that Nikon offers, period, after only the mighty D3x. After testing the 24-MP Sony A900 in 2009 and using the 14.6-MP Pentax 20D extensively, I decided that 14–18 MP is going to be the sweet spot as far as I'm concerned. (Until the world changes yet again.) The new D7000's 4928 x 3264-pixel file size allows for nearly 16.5"-wide prints with full 300ppi resolution. Plenty.
The new camera betters the D90's already good viewfinder by upping the coverage from 96% to 100%. And sorry to talk about something so mundane as a mechanical camera feature, but the D7000 shutter will go to 150k actuations. Shutter durability is one of the hidden difference between higher-model cameras and entry-level ones; 150k used to be the standard for the film F flagships.
And speaking of old film flagships, Ken Rockwell says that the D7000 will meter with manual-focus AI and AIS lenses. (Thanks to Dustin for pointing this out.)
In a field littered with fine and capable cameras, the D90 has stood out as an especially successful model, with a particularly excellent sensor, fine all-around ergonomics and performance, and a nice price. The D7000 appears to be a worthy step up. It's very competitively priced at $1200, and B&H Photo is already accepting pre-orders for both the body and a kit with the 18–105mm VR lens.
Also announced is the new SB-700 Speedlight flash unit, which was written up yesterday over at Strobist.
Mike
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Original contents copyright 2010 by Michael C. Johnston and/or the bylined author. All Rights Reserved.
Featured Comment by Gordon Lewis: "Hmm...Methinks this camera could be well-positioned to compete with the EOS 60D, not just the 7D. After all, with the exception of a swivel screen, it's more feature-packed than the 60D but at a similar price. On the other hand, it has almost as many attractive features as the EOS 7D but at a lower price. It's a bit smaller and lighter too, which is attractive to a lot of photographers. Let the comparisons and gnashing of teeth begin!"
Featured Comment by Stephen Best: "The D7000 looks like a very capable camera (and more than most amateurs/enthusiasts need). It's a pity Nikon doesn't have the lens lineup to support it. Their FX cameras are well served with both primes and zooms at useful lengths. Big, heavy, expensive (and great performers alike) but if you're a pro you can make good use of these. Nikon seems to think that DX shooters want crappy zooms or will make do from the FX line. Where's the small, modern, mid-priced and lust-worthy 24mm, 30mm and 60mm DX lenses to go with the D7000? I think camera makers underestimate the market for a quality camera+lens package coming in at around 1kg."
Mike adds: I agree.
According to that Ken guy, the D7000 will also read the aperture ring on AI and AI-S manual-focus Nikkors. I personally find this exciting because I realized a few months ago I have five prime AI and AI-S Nikkors that would work beautifully (I think, anyway) on a D700. The D7000 might get me there for half the price (and 1.5x the field of view), assuming I don't have the patience to wait for reasonably priced used D700s.
Color me cautiously intrigued.
Posted by: Dustin | Thursday, 16 September 2010 at 09:09 AM
Canon owners owe Nikon a Big Thank You!
Now that Canon's 7D has serious competition I suspect the price will drop for the Holidays.
D7000 raised the bar on specs at sub $1200 price point.
Nikon's D7000 could become the camera that entices some Canon owners, Olympus owners, even Pentax owners to the Dark Side.
Why ?
Admission Price and ability to use plentiful Nikon Ai and AiS mount lenses. Many pro caliber lenses that were made from 1977 and some is still made today. Like 50mm 1.2, 20mm 2.8, 35mm 1.4, ect, all instock, hassle free USA market lenses at B&H.
Nikon D7000 is a game changer.
Posted by: 645D Next ? | Thursday, 16 September 2010 at 09:34 AM
Interesting that you have said this will nestle between the D90 and the D300... so far everything I have read was touting this as the D90 replacement. There has been some speculation that this camera could replace the D90 and the D300, becoming the new top DX camera- and a sub $2000 FX camera would replace the D300s. Will be interesting to watch the next year and see what happens. You would have to think that this camera will really take a chunk out of D300s sales.
The weather sealing, micro AF adjust, mirror lock-up, metering with AI lenses and dual card slots are huge upgrades from the D70/D80/D90 series and will be enough for me to buy the D7000 as a replacement for my D200.
Posted by: Josh Wilson | Thursday, 16 September 2010 at 09:40 AM
I find it interesting that the title here says "Counterpunch to Canon's 7D," especially since this is priced closer to the 60D. If this really can compete on the level of the 7D, Nikon is set to shake things up in this space.
Posted by: Scott Johnson | Thursday, 16 September 2010 at 09:43 AM
This is another showing of Nikon and Canon copying eachother, though this time something went wrong. Canon 'down'graded the x0D line to better match Nikon's D90.
Nikon on the other hand, improved so much with the D7000 it now sits well beyond where the D90 used to be, and is more a match to where Canon's x0D line once was.
Apparently they don't share the same boardroom after all.
Posted by: Kevin Schoenmakers | Thursday, 16 September 2010 at 09:53 AM
Definitely in the WANT!!! category. On the other hand, I was thinking about buying it and found that there are no standard (24-70 mm equivalent) f/2.8 zooms for it that would a) not suck (Sigma 17-50 OS, Tamron 17-50 VC et al.) and/or b) be reasonably priced (Nikkor 17-55 - and one source I trust implicitly, because they're averse to measurebation and pixel peeping tried THREE copies of the lens which all sucked), which for me is a deal breaker. Can anyone please tell me I'm wrong?
Posted by: juze | Thursday, 16 September 2010 at 10:18 AM
One word: Confusion.
I currently use a Nikon D40x and it's getting close to 100k cycles (actuations) and I've been planning on a replacement.
First I considered the Nikon D5000 then comes the Nikon D3100 which in some important ways is better than the D5000. So I think it's the D3100 in my future.
Now we have the Nikon D7000. Yes it's over twice the cost of a D5000 but it looks very nice.
But where does this leave the D5000? Or the D90? Or the D300?
Right now Nikon needs to clarify it's line-up. What's in and what's out. Until then I will wait and see.
Or maybe get that new lens I've been craving.
Posted by: John Krill | Thursday, 16 September 2010 at 10:48 AM
"Apparently they don't share the same boardroom after all."
Well, guess Nikon has borrowed the boardroom of Pentax this time. Except for the lack of in-body IS, this could (almost) be a re-branded Pentax K5
Posted by: Lars K. Christensen | Thursday, 16 September 2010 at 11:05 AM
"Still no body-integral image stabilization. Dominant cameramakers Nikon and Canon make more money adding this feature to individual lenses."
Where's the proof of this? If you want to argue that they charge more for their lenses, I'm with you... to a point. (Olympus has some mighty expensive lenses too). But presumably it also costs Canon and Nikon (and Panasonic and Samsung) money to put that technology in each lens. It's not a cost neutral addition.
Posted by: RobJ | Thursday, 16 September 2010 at 11:09 AM
I'll go a bit further than most in my reading of the D7000: I think it replaces the D300 and a D400 is not coming any time soon.
The D7000 has the AI meter, Mirror-up mode, a 100% viewfinder, 3D tracking grid AF, a metal body and partial seals. Many of these are really simple things that cost next to nothing to implement and have historically been reserved for higher-end products. Why stop this practice now? Why send a signal to the high-end buyers that it's okay to buy a D7000 and not hold out for the D400?
In my opinion, the D7000 defines the new top-end APS-C body from Nikon. When we see the D400 come out, I would expect it to be FF.
Posted by: Olivier Giroux | Thursday, 16 September 2010 at 11:16 AM
Next week you will have a trio when the Pentax K5 arrives. Looks like it has the same 16MP Sony sensor used in the D7000, but with the Pentax you get inbody AS :)
http://www.crunchgear.com/2010/09/10/pentax-k-5-dslr-pictures-and-specs-leak/
Posted by: Andy | Thursday, 16 September 2010 at 11:22 AM
7000? who came up with the names for these cameras ? Are Japanese trying to copy the German Car naming convention of the 70's ? Would the DX-7 be a better name? (end rant)
And don't forget the new Pentax K-5 (now that's a good name) which will come out with similar specs and same CMOS.
Posted by: Sam | Thursday, 16 September 2010 at 11:24 AM
The Nikon D7000 has AF micro-adjustement which Canon left out of the 60D while the 50D had it.
Downgrading a camera to protect a higher priced one doesnt always work!
Posted by: andre moreau | Thursday, 16 September 2010 at 11:35 AM
Kevin Schoenmakers got it pretty much right; this isn't quite a counterpunch to the 7D.
Posted by: YS | Thursday, 16 September 2010 at 11:37 AM
But it'll be out any moment now, which makes it imminently obsolete. I think I'll just wait for the replacement, otherwise I'll get laughed at, lumbering 'round with this morning's model.
Posted by: James McDermott | Thursday, 16 September 2010 at 11:53 AM
In-lens IS is widely believed to be more effective for long pro telephotos
Funny that most pros I've seen using long-ass lenses have the IS turned off securely with duct tape. Makes me ask:
1) Why these lenses have IS at all if they're too heavy to hand-hold and are used on monopods or tripods anyway?
2) Why not add IS to the body where it is as effective as in-lens IS at the focal lengths most widely used in everyday photography (18mm - 135mm)?
Both questions share a common answer, and it involves the words money, shareholders and revenue. On the other hand, in the best interest of photographers does not appear in the answer.
Posted by: Miserere | Thursday, 16 September 2010 at 12:06 PM
this looks like an awesome camera, and this is the first time i've ever looked at a nikon camera release and thought to myself "that's actually a pretty competitive price." i'm also very excited about it metering AI lenses.
kudos to you mike for being one of the few (only) well known photography commentators to chastise canon/nikon for the lack of IBIS. image stabilization would be a wonderful thing to have in the 35-100mm range, especially when shooting a fast 85mm indoors. putting an image stabilizing lens group in a 85/1.4 would be quite an engineering feat (and undoubtedly very expensive), so why not just give us IBIS for short focal lengths? please!!! i'll probably just get a sony when i upgrade to FF because of this.
Posted by: hobbes | Thursday, 16 September 2010 at 12:50 PM
" I personally find this exciting because I realized a few months ago I have five prime AI and AI-S Nikkors that would work beautifully (I think, anyway) on a D700."
My current kit has evolved to a 28mm f2.8, 50mm f1.4, and an 85mm f2 - all AIS - on a D700. I get slightly sharper or equal pictures to my 35mm f2 AFD, 50mm f1.4 AFS, and 85mm f1.8 AFD - and they're pretty sharp - for a whole lot less weight. The 50mm and 85mm AIS lenses are over 25 years old; the 28 is newly purchased (couldn't use my original 30+ year old 35mm, forgot to get it AIed:( ). Right now my shoulder is worse than my eyesight, and weight is more important to me than AF. But I'll save my AF lenses for when other body parts start to fail;)
We should remember that when Nikon produced these older lenses, they were top of the PJ food chain, and their products weren't too shabby. So far I have not noticed any of the problems created by digital based reflections that I had noticed on some newer lenses.
Posted by: Al Benas | Thursday, 16 September 2010 at 12:53 PM
This looks like one very cool camera. On a side note am I the only one thinking its time for Nikon to thin out its confusing lineup?
Posted by: MJFerron | Thursday, 16 September 2010 at 01:08 PM
Ad duct tape on IS switches:
Funny that, never saw a concert pro who didn't use IS if they had it. In other words, horses for courses. Sports pros (usually) won't use IS lenses because they need short shutter times anyway in order to freeze the action and they tend to be not quite as sharp as their IS counterparts.
On the other hand, wedding pros probably consider IS to be the greatest thing since sliced bread served by (and on) glamour models.
Posted by: juze | Thursday, 16 September 2010 at 01:39 PM
I'm with John Krill. I'm totally baffled at the camera maker's product lineups. I guess I'll have to wait a few weeks for Thom Hogan to start writing up some articles on the Nikon line, which will give me time to find someone who is a Canon aficionado to explain their stuff.
I think this sort of camera lineup fiddling is designed to be confusing - to keep us arguing about which set of features is "best" or "the best deal" rather than asking ourselves what we really need. That way, we are tempted to buy the wrong camera for our needs, become dissatisfied, sell it, and buy a different one.
It took a while, but I am comfortable with the fact that I don't fully understand what I "need" to buy next. It's not as though I have a burning need to replace my current DSLR with a new one. I do, however, have a burning need to replace my current DSLR with a small, mirrorless camera.
Posted by: Will Frostmill | Thursday, 16 September 2010 at 01:50 PM
Nikon has used 4 digits to denote camera bodies for consumer and "prosumer" cameras since the 1980s at least in the US market. Nikon has fairly been consistent. Lower entry level models start with 4,5,6, mid to upper levels 7,8,9. Right now Nikon has a 3000,5000,7000. D300 replacement will probably be called D9000. High Rez full sensor cameras will probably retain the 3 digit names and pro bodies will still carry the one digit name.
Posted by: Sam | Thursday, 16 September 2010 at 02:42 PM
Having to Sunny-16 my 1980's Nikkor AIS lenses was the biggest disappointment when I tried out my SO's D90. So if it's true that the new Nikon DSLR will actually, well, work with legacy lenses, that's good news from where I'm standing.
Posted by: Maggie Osterberg | Thursday, 16 September 2010 at 03:08 PM
I started to ask, after not finding the answer here. But then I went and researched, and found the answer in the dpreview hands-on preview.
So, if anybody is wondering, the D7000 DOES support autofocus with AF and AF-D lenses, as the D300 does; its autofocus is not limited to only AF-S lenses.
Posted by: David Dyer-Bennet | Thursday, 16 September 2010 at 03:50 PM
I have to agree with Josh and Olivier. I think that with the D7000, we are looking at the new top of the DX line. It has pretty much everything the D300 has, including support for all of the legacy lenses. And its $1200 price leaves a nice hole in Nikon's line at the $1800 mark. Nikon ought to be able to bring out a consumer FX body at that price point with no problem. (With the 24-120 f/4, they already have the kit lens to go with it.)
Only problem: Now I've got my hopes up for a smaller, lighter, cheaper FX from Nikon.
Posted by: David Litttlejohn | Thursday, 16 September 2010 at 05:19 PM
While I fully agree that a new, affordable 24mm Nikon prime would be bliss, I have to take issue with the folks bemoaning a lack of other prime focal lengths -- Nikon introduced a *very* capable, *very* affordable 35mm prime just last year, and has a stable of fast 50's in a variety of price ranges, starting from the absurdly cheap. I'm still kicking myself for selling a 28mm 2.8D, because even though I made money owning that lens for two years, it's still darn close to the 24 I keep thinking I need, and I already had it. Some day I'm going to learn that lesson... ;)
Posted by: Pen Waggener | Thursday, 16 September 2010 at 08:12 PM
Counterpunch the 7D?
"The middleweight's taking a beating, send in that young welterweight, at least he's got fresh legs!" Good luck young fella.
I also have to comment on the hobbyhorses being trotted out in the comments section, about the D300 being replaced by a full frame camera within its price category. This is typical wishfulness for enthusiasts who have the mentality, "the biggest-sensored (or film-size) camera I can afford is the one for me." I see a lot of that mentality in the postings around the traps.
Well, wishing for the D300 to make way for a cheaper D700 is not good wishfulness for enthusiasts who share my mentality, being "the smallest-sensored camera I can be satisfied with is the one for me." The size, weight, ever-increasing cost, and telephoto limitations of class glass for full frame cameras is never going to go away, and is something I wouldn't wish on any future D300 or 7D owners.
The compact sensor is a boon. Long may it live! Bring on the lenses!
Posted by: Arg | Thursday, 16 September 2010 at 09:34 PM
Actually, Nikon's kit zooms are amazingly sharp lenses. I regularly use a "cheap" 18-135mm Nikkor on my D200 and used together with DxO Optics Pro raw converter the resolution and CA is on par with my Nikkor primes. The thing with Nikon is not that their kit lenses are crap (in fact, they are just the opposite) but that they are simply not very fast -- and Nikon charges an arm and a leg for their fast lenses, which Pros can easily afford. It is a reasonable compromise.
Posted by: J Michael Sullivan | Thursday, 16 September 2010 at 09:42 PM
The weather sealing, micro AF adjust, mirror lock-up, metering with AI lenses and dual card slots are huge upgrades from the D70/D80/D90 series and will be enough for me to buy the D7000 as a replacement for my D200.
I don't think the D7000 has weather sealing and micro AF adjust. I read the specs several times yesterday looking specifically for micro AF adjust, read the DPR review three times and did not see it. Am I missing something?
Posted by: Boyan | Thursday, 16 September 2010 at 09:46 PM
I do not know if I am missing something in all this talk of Canon vs. Nikon. When I finally replaced my OM4 in 2004, I looked at all the manufacturers and chose what I considered to be the best DSLR I could afford (and that was not HUGE) - the Canon 20D. Since then I have bought a handful of lenses and before moviong to Africa upgraded to a 5D MKII.
I could not imagine the cost of changing system to Nikon (or anyone else) and am sure that the vast majority of amateurs are in the same boat as me. It is great that Cankon keep coming out with ever better bodies and I am sure I will upgrade again in less than ten years (My OM4 lasted 21 and still goes strong). The competition makes for fun new features but I use hardly any of them.
Oh well, it is something to chat about :-)
Greetings from Addis
Andrew
Posted by: Andrew | Friday, 17 September 2010 at 01:33 AM
Voigtlander has the 20mm, 40mm, 58mm and 90mm, all chipped albeit manual focus only.
Posted by: Ken | Friday, 17 September 2010 at 09:01 AM
Boyan,
AF finetune and weather sealing are both mentioned on Nikon's D7000 page.
Maggie,
I believe that those AIS lenses will "work" on a D90. No, they won't auto-anything, but you can mount them and make images. I've had great fun using 60's vintage 55 micro on my D5000.
As with others here, I don't see why one would buy a D300 instead of this, maybe the 300 is due for a price cut? D90 is a little different story as it's $300 cheaper, which will be a factor for some people.
Posted by: Rob | Friday, 17 September 2010 at 09:22 AM
"I could not imagine the cost of changing system to Nikon (or anyone else) and am sure that the vast majority of amateurs are in the same boat as me."
if you only buy used lenses the cost of switching systems is pretty much the same as the cost of upgrading to a new camera. unlike modern camera bodies and kit lenses, quality lenses hold there value exceptionally well (there is a bit of price drop between new and like new though). i have never sold a lens for less than i paid for it. because of this, i'm always ready to change systems when my camera starts to wear out - it costs the same thing.
Posted by: hobbes | Friday, 17 September 2010 at 09:44 AM
I don't think the D7000 has weather sealing and micro AF adjust. I read the specs several times yesterday looking specifically for micro AF adjust, read the DPR review three times and did not see it. Am I missing something?
The weather sealing and AF Finetuning are on the spec list at Nikon.com and Chase Jarvis has confirmed both on his blog. Additionally, I failed to mention the virtual horizon and 100% viewfinder. This is really looking to be a fantastic camera at the price point, especially if the high ISO noise is as good as rumored.
Posted by: Josh Wilson | Friday, 17 September 2010 at 10:14 AM
I've gone from Miranda to Leica + Pentax to Nikon to Olympus to Nikon AF to Nikon digital (admittedly, over 40 years). If your timing is good, and you sell the old equipment carefully, and you keep each system long enough to accumulate various things that didn't work out that you can now sell :-), I find the cost of changing systems isn't that bad. Especially if you're buying used.
Even from 20 years ago, I shudder when I compare today's camera prices to what I paid in 1987. My Olympus system consisted of TWO OM-4T bodies, one winder, 24/2, 35/2, 50/1.8, and 85/2 Olympus prime lenses, Vivitar series 1 28-90, Vivitar Series 1 70-210, and the Olympus 24mm/3.5 shift lens. I ordered it in one lump (from B&H, of course). Cost: $2700, new. Or, roughly what my D700 body cost.
Posted by: David Dyer-Bennet | Friday, 17 September 2010 at 02:54 PM
The prong for the manual lenses is there; look at the photo carefully. Nice that Mike used one that shows the lens mount.
I agree with Stephen as well. I've waited for a 12/2.8 and 16/2.8 for like, years already. I think another 2 more years and it'll be a decade.
In the meantime I make do with a variety of 3rd party glass; seriously, it seems they get the APS lenses better than the manufacturers themselves.
Posted by: YS | Friday, 17 September 2010 at 05:19 PM
I priced a 17-40 or 24-105 + 70-200 f/4 + 60D = ($2600-2800) for a great deal less than a comparable model D7000 + 80-200 + 24-120 = ($3600). That overshadows any claims for 39 AF points any day. In fact the 80-200 is the old model with what screw driven auto focus. Who wants to buy that? It may be good. But who wants it when u can get ring USM? I don't think Nikon lenses are worth the money they ask. And all Nikon does is spend money on ads. They must have bought up every zine to convince us of their superiority. Go buy one if you like it.
Posted by: Pablo Cassals | Friday, 01 October 2010 at 03:13 PM