Edward Steichen, c. 1908, provided by George Eastman House Collections
Eastman Kodak Company has two blogs: A Thousand Words is written "by, and about, everyday employees who share a passion for photographic storytelling," in the words of Kodak's David Kassnoff. Its companion blog, A Thousand Nerds, "shares insights into the technical aspects of making photography an enjoyable experience."
A recent post by Thomas Hoehn, about autochromes, on 1000words.com reminded me of one of my major missed opportunities on a path not followed, that of photo collecting. A neighbor of mine in an apartment building in Washington, D.C., found out that I taught photography and asked me to take a look a few old color photographs she had inherited. When I arrived at her apartment she took an old box out of a drawer, and darned if numerous layers of brittle tissue didn't part to reveal three genuine Lumière Frères autochromes, on glass, from about 1910. All three were just marvelous pictures, if memory serves. Especially the smallest one, which was about 3" x 4", of a lovely girl in period dress in a shaft of sunlight.
Just by being enthusiastic and appreciative, I came very close to talking her out of it. She had virtually offered to let me have it when it seemed to occur to us both, simultaneously, that I was really nothing but a stranger to her and she had no reason whatsoever to part with her heirloom on my account. I'm quite sure I could have walked out of there with that treasure in my possession if I'd been more aggressive about it, but I couldn't see the fairness in it, and we mutually backed away from the undone deal.
The ultimate purpose of collecting, of course, is delectation, and if I'd "scored" that rare autochrome on that occasion, at least I could have looked at it many more times over the years. I'd love to see it again today. I have a great memory for visuals, but enough time makes even the most vivid impression grow dim (one good reason why we make photographs). Still, it was a pleasure to see it once. Autochromes are uniquely lovely, delicate little things.
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Mike
Mike, Thanks for the mention and for checking out the Kodak blogs. That is quite a tale that you tell. Don't be depressed we all have those "what if" stories in our past! I wonder where those autochromes are right now. Cheers, tom
Posted by: tom | Tuesday, 31 July 2007 at 12:43 PM
I just came back to this image after perusing the M8 review samples on DPReview - the autochrome is MUCH nicer!
Cheers, Robin
Posted by: RobinP | Tuesday, 31 July 2007 at 04:36 PM
I have to say that even though I love black and white work, the older I get the more I appreciate color photography. Even though it is not the same as autochromes, I spent an evening with my grand parents and looked at a slide show of 50+ year old kodachromes. They looked amazing. I used kodachrome before it fell out of favor. Kodachrome in my opinion is still the best widely available color film ever made. It wasn't as dramatic as Velvia, but there is much beauty in subtlety.
Posted by: Mike Hess | Tuesday, 31 July 2007 at 09:25 PM
What a beautiful picture!
Posted by: Magumi | Wednesday, 01 August 2007 at 02:36 AM
You can see Edward Steichen photos in real life when you visit MUDAM (http://www.mudam.lu/?mode=article&langue=en) in Luxembourg City.
They show also plenty of autochrome replicas (In glass and back lighted. Sadly not the originals but it would be too much to ask I think).
Posted by: Kristjan Kelt | Wednesday, 08 August 2007 at 05:58 PM
We have a lovely collection of early 20th century Autochromes taken in Hawaii on our Discovering Hawaii website. Please have a look: http://www.discoveringhawaii.com/Stock_Photography/Pages/Hawaii_Autochromes.html
Posted by: Richard Sullivan | Friday, 09 May 2008 at 12:41 PM
The CORRECT URL for Richard Sullivan's collection of Hawaii Autochromes is:
http://www.discoveringhawaii.com/Hawaii-Autochromes_1908-1928/Hawaii-Autochromes_1908-1928.html
Posted by: alain sevilla | Saturday, 04 October 2008 at 06:05 PM