The Online Photographer

Random Excellence: Stephen Gillette

Stephen Gillette, Tondi (Big Sur #13), pigment on mulberry paper, 11.75 x 8.25"

By rights, these shouldn't work, and I guess I'm not sure all of them do, at least not equally. But some of them sure do. As a friend of mine once said, "it's not the idea, it's how it looks." If you live near Big Sur, you can see them. Here's the scoop, and some more.

(By the bye, I think the prettiest one is #5, but Eolake already posted that one on his blog, so I'm not going to ditto it. Take a look at all of them and pick your own favorite.)

Mike

Random Excellence: Conrad Tan

 Photo: Conrad Tan

Conrad Tan has posted a number of outstanding bird photographs over on FredMiranda.com, all taken with The new Canon 7D with the EF 400mm ƒ/5.6 lens evidently used for most if not all of them. Most of the pictures are described as being "mid to heavy crop."

Mike

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Random Excellence: Cheryl Jacobs Nicolai

If you happen to live in Denver and have a family, you're in luck, because you have a terrific kid portraitist nearby. Cheryl Jacobs Nicolai is a commercial portraitist whose website is divided into "Short People," "Tall People," and "Eyes." A nice list of categories/priorities.

It's quite possible that we have an especial appreciation for photographers who are particularly good at the types of work we ourselves have done, but, professional admiration aside, I think it should be obvious to anyone that Cheryl has a real feel for kids. A visit to her website is a virtual lesson in "How It Oughta Be Done." If that's not enough for you, she teaches workshops, too.

So what if you don't live in Denver? You can pay her to travel, but here's a tip—if three clients hire her from any non-Denver location, she'll travel for free. 

Mike

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Albatross II

...This morning's take is more tragic and disturbing than yesterday's, I'm afraid. A remarkable set of photographs.

We have touched on Chris Jordan before. There's now a book of the work we cited as among the best of 2007.

Mike
(Thanks to Arnaud Réveillon)

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Featured Comment by John:

He prayeth well, who loveth well
Both man and bird and beast.

He prayeth best, who loveth best
All things both great and small.

[Ed. Note: From Samuel Taylor Coleridge, "The Rime of the Ancient Mariner," Part 7. The poem continues, "For the dear God who loveth us, / He made and loveth all."  —Mike]

Why They Invented Cameras

Photo by D. Shumake

TOP reader Jim Tiemann sent me this picture, with a note:

"Sometimes we need reminding why they invented cameras...

After watching my wife give birth to our new son, they gave him to me. My sister-in-law took my camera, and I got to cry my eyes out in utter amazement and joy. I'm eternally grateful that she pointed the camera towards us...."

Big congratulations to Jim and his family. And a happy weekend to all.

Mike
(Thanks to Jim)

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Encounters of a Small, Wet, Furry Kind

Some pictures of an encounter with a curious fur seal taken on a trip that TOP reader Alek O. Komarnitsky recently took to Antarctica, South Georgia, and the Falkland Islands.

Alek, who describes himself as a dedicated amateur who "takes way too many pictures and spends way too much time pixel-peeping" (although his wife just says he's "a crazy camera guy"—can anybody relate?), describes the trip as "truly a trip of a  lifetime," adding, "if you ever do this, don't just go to Antarctica, do the triangle with Falklands and South Georgia which are even more impressive."

The baby fur seal actually started nibbling on the lens hood of the remote 40D. You can enjoy the whole set and travel along vicariously at his website, where there's more information, too, starting with a map.

Have a great weekend!

Mike
(Thanks to Alek)

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Random Excellence: Richard Renaldi

Richard Renaldi, Celestino (Portrait of Celestino chopping away, at the
Wailea Agricultural Group in Honomu, Hawaii)

Richard Renaldi's Photostream
Richard Renaldi's website
Richard Renaldi's second book, Fall River Boys, is available exclusively from Charles Lane press, $85 unsigned, $90 signed, in a limited edition of 1200 copies.

Mike
(Thanks to ?)

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Featured [partial] Comment by richardplondon: "Funny thing about people photographed with large format, they often have a look of someone 'participating' in something. Ready steady go, this is your moment, show us your stuff...."

Mike replies: Funny, I was looking at this more from a coloristic standpoint, and at the way the flyaway hat brim plays off the plant fronds in the near bokeh....

The Unmistakable Silhouette

Stuart Franklin [see featured comment below] took this elegant picture of a familiar figure practicing for the PGA Championship tournament, which begins today at Hazeltine. It's possible to consider it an example of a tiny but honorable niche—"portraits" in which the subject is not facing the camera, like Karsh's picture of Pablo Casals.

Mike

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Featured Comment by Bahi: "The golf shot might be from a different Stuart Franklin; there's a Getty sports photographer by that name who gets lots of interesting pictures of Tiger Woods and who is unrelated to the Magnum shooter (and recent Magnum President) in the post you're currently linking to on the old TOP site.

By the way, according to a comment at the site below, the President of Magnum got a lot of e-mail about a purported Photoshop disaster that wasn't really a Photoshop disaster at all and which definitely involved the other Stuart Franklin.

http://photoshopdisasters.blogspot.com/2008/06/washington-post-unlikely.html

Mike replies: My mistake. Thanks Bahi. I removed the link. I should have remembered there was a "second" Stuart Franklin from our own discussion of the fascinating "error mimicking" of the Mickelson/Woods shot—which was, as you say, actually not a Photoshop disaster.

As a curmudgeonly aside, when there's an established figure in the field with the same name, it's customary for the later-comer to use a middle initial to distinguish himself. Maybe we should unilaterally name the second Stuart Franklin "Stuart X. Franklin." I suppose it's possible that Getty Stuart Franklin is older than Magnum Stuart Franklin, though—just because I heard of the latter first doesn't necessarily mean he has primacy.  —Mike, who has always disliked having a too-common name

Random Excellence: R. Hamilton Schirmer

Ham Schirmer, Deke's Sailboat

In the interests of full disclosure, Ham's a cousin, and I'm a sucker for sailboats, which I think are often among the most graceful and lovely of all Man's fabrications. I came across this because Ham used it for the cover of an iPhoto book he made recently of his favorite pictures. Slightly cropped (from the bottom, if memory serves), it makes a very good looking book cover.

I hadn't recently seen an iPhoto book (which you can make and order for $30 from within iPhoto '09, which is part of iLife '09, which comes bundled with Macs), and I was impressed with the quality. The last bespoke photo book I made myself was through lulu.com, and the pictures in it had the look of high-quality color Xeroxes; Ham's hardcover had repro more like middling-quality offset—in other words, pretty darn good. If you have an Apple, you ought to try this. (Unless you've already made half a dozen and I'm just late to the party. Come to think of it, Nick Hartmann has been telling me about Apple books for months now....)

Ham made the shot with an Olympus C-5050z at 1/500th sec. at ƒ/4, ISO 64.

Mike

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Featured Comment by Ernest Theisen: "I tried to use the previous version of iPhoto and it gave me fits so I went to MyPublisher and I got good results. I was told that MyPublisher makes the books for Apple's iPhoto."

Not-So-Random Excellence

Revisiting a couple of topics from the last couple of months:

Photo: W. Eugene Smith

First, a wonderful collection of Kodachrome photographs from the vaults of Fortune magazine, dating from 1939 to 2002, from artists as diverse as Dmitri Kessel, William Vandivert*, Dan Weiner, Robert Doisneau, and Alex Webb, as well as several not at all known for shooting color, such as Ansel Adams, Ralph Steiner, Walker Evans, and W. Eugene Smith (Smith's picture above was taken in 1957 for an article about the Connecticut General Life Insurance Company's then-new building in Hartford. The picture didn't make the issue). A tiny sampling online, but good to look at. (Coincidentally highlights one of Kodachrome's often hidden benefits, too—its good dark-storage archivability.)

We were talking about Kodachrome when it went the way of all things last month.

Photo: Luc Novovitch

On a related note, TOP reader Luc Novovitch passed by Kodachrome Basin State Park in Utah last week on his way to Escalante, and he confirms that the park is still there and still has the same name! (There was some question.) Above is a shot he took on his way through.

Photo: Stan Semuskie

In a "Featured Comment" to our post about adding an aerial shot to your portfolio, photographer Stan Semuskie told a cool story about being hired by Forbes magazine to shoot the home of Nike founder Phil Knight, and how he had a blast that day shooting everything he could see from the chopper. Stan has now put some of the selects from that shoot online; you can practically feel the rush of the air and the beat of the blades. Fun stuff.

On the often visually irritating Life.com site, Astronaut Bruce McCandless is
joined in space by a watermark and two enormous floating arrows.

Life.com has put up a set it calls "The 21 Greatest Space Photos Ever." I have to say I think the jury's still out on Life.com. The JPEGs are often of...well, variable quality, and the interface gets in the way of enjoying the pictures. Take #15 in the linked set, for instance—"the immediately recognizable human form" in the "vastness of space" yes, but then, the two arrows that also appear to be floating in the vastness of space compete with the human form and detract somewhat from the visual impact. (Speaking of that shot, I wonder if Astronaut Bruce McCandless is any relation to Chris McCandless, the protagonist of Jon Krakauer's fine if troubling book Into the Wild—there's a movie, too—I recall that when my father was a Director of NASA, one of the people under him was Walt McCandless, father of Chris.)

Finally, the always delightful Shorpy.com has some better JPEGs of the late Julius Shulman's architectural work than I was able to link to the other day, including a large, good-quality digitization of Shulman's signature picture.

Mike
(Thanks to Marc Rochkind, Luc, Stan, Robert Lee, and Werner J. Karl)

*Whose former assistant Carl Leonardi is a TOP reader.

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