According to a chart at Statista sourced from CIPA, CIPA members shipped 121.5 million cameras in 2011, and the interchangeable-lens portion of that was even greater in 2012, 2013, and 2014. But now both categories are down drastically.
(The chart is deceptive as regards 2016, because it reports the first half of the year, when the big shopping months are mostly in the second half. So the 13 million sales in the first seven months of 2016 might not be predictive of the final number for this year.)
Statista blames the downturn on smartphones. While I'm sure that smartphone cameras have had a large effect, mostly at the lower end of the market, I don't think it's the whole story at all. There are other things happening that I've observed firsthand among photography enthusiasts.
1. Single-chip digital cameras are reaching a point of sufficiency. The frenzy of excitement and desire for the latest improvements that we witnessed in the decade from 2003–2013 can't reasonably continue forever (at least not without another technological shift.) More and more photographers are realizing they're perfectly happy with their older cameras. They're still upgrading regularly, but the intervals between upgrades are growing longer and more leisurely.
2. It's expensive to keep up with the very latest thing, and many of us have been burned...by ourselves. We overbought and got left with that faintly sick feeling that we effectively flushed money down the loo with no one but ourselves to blame. That breeds greater caution when making purchases...even when the latest toys still inspire strong acquisitive lust.
3. New digital cameras have to compete more than ever with secondhand digital cameras...more the way film cameras once did. Call it the "Model T Effect": Henry Ford was strongly motivated to make the Model T into an Everyman's car, and he succeeded wildly in bringing the price down—way down—over the years. But one thing he didn't take into account was that, once three out of every four cars on American roads were Fords (true, in the early 1920s), new Model T Fords would be competing with used Model T Fords...and even he couldn't make new ones cheap enough to compete with the same cars bought secondhand. Especially as cameramakers have learned that they can charge a price premium for the latest and greatest gear, more and more price-sensitive buyers are finding they can save money, lots of money, by buying cameras at the end-of-model-run closeouts or by buying little-used cameras that are one or even two generations old. These customers are upgrading regularly too, but it's not being reflected in the numbers for new camera sales. (This particular buying solution was much less satisfying when the pace of improvements was still rapid; it works better now.)
I think these three factors are having more effect on the sales of the kinds of cameras we tend to care about. (A possible fourth influence is that whenever some recreational activity becomes "all the rage," a certain percentage of those participating are just people who jumped on the bandwagon or who got carried along by the wave. As the period of excitement and popularity settles down, those people drift away. But I don't have reliable inputs about that effect.)
I came of age in photography in an era when the market for cameras was one of "measured growth," and the market for darkroom equipment—my niche, back then—was sleepy, all but saturated. It was the opposite in 2003–2013. Part of what we're witnessing is not a paradigm shift (although part of it probably is—I plan to upgrade my phone as soon as I can, entirely for the camera), but rather the inevitable ending of a period of unprecedented growth and activity.
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